Slaughterhouse-Five Page #4

Synopsis: Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as a Chaplain's assistant for his unit. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teen-aged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on
Genre: Comedy, Drama, Sci-Fi
Director(s): George Roy Hill
Production: Universal Pictures
  Nominated for 1 Golden Globe. Another 3 wins & 3 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
77%
R
Year:
1972
104 min
555 Views


garment? They gave it to me.

Who?

The Germans.

They didn't give you a coat, Yank, they

gave you an insult. Hey, son. Over here.

Do you understand

what I'm saying?

Jerry tried

to humiliate you.

Now you must wear that coat as if you

were proud of it. Teach him a lesson.

It's terribly important

that you understand that.

It's been almost four years since I was

taken prisoner. True of most of us here.

We haven't seen a woman or a child in all

of that time. Think about that for a minute.

Want to know

how we survived?

Well, I'll tell you.

The day that I was captured,

I made a promise to myself:

I vowed each day I would

brush my teeth, shave my beard,

wash my hands and face before each

meal, evacuate my bowels with regularity.

And do you know why?

Because the war consists of

continual petty humiliations.

And I for one was going to treat myself

with a good deal of self-respect and survive.

Do you think

you can do it?

#Johnny Fedora met

Alice Blue Bonnet #

#In the window of a

department store # Get it!

#It was love at first sight #

Come on! Come on!

#And they promised one night #

- # They'd be sweethearts forevermore #

- Billy. Lunchtime, hon.

Okay, I'll be right there.

#Johnny would serenade Alice #

# Too ra lei, too ra lie Too

ra loo # Spot, sit. Sit. Stay.

Spot, sit. Sit! #He sang

of a beautiful palace #

# Of a beautiful hatbox

ofblue # Heel. That's right.

Billy. Billy. Want a snack? #ButJohnny

Fedora lost Alice Blue Bonnet #

Be right in. # To a patron

of the department store #

#Her beauty was sought by the

girl she was bought by # Spot!

#For $23.94 ##

Come on, Spot.

You can do it.

Come on, boy!

Come on, Spot.

Come on!

Come on, boy!

Come on. Jump in.

Come on. Jump!

Attaboy!

Good dog, Spot.

Good.

Billy!

- Billy!

- Yeah?

- Supper time, hon.

- Be right in.

Spot, sit up.

#He looked for her uptown #

You think so?

Come on. Look at that!

Now, roll over, Spot.

Atta, boy. Isn't he great?

Where's daddy?

That's right.

Where's mommy? Where's

mommy? Wh-Where's mommy?

That's right.

Hi, Spot. Spot!

Oh, Billy! Get that goddamn mutt

out ofhere. Get him out ofhere. Out!

Oh, poor Bobby.

I can't stand that animal! He's ruined

three carpets, two pairs of shoes...

He's driving me crazy.

#For true love will come smiling through ##

You're okay, Spot.

You're okay.

You make a little mistake

now and then, but you're okay.

You got heart.

Yeah. Old Spot.

Pilgrim.

Pilgrim.

Pilgrim!

Can ya hear me, Pilgrim?

Huh? Can ya

hear me, Pilgrim?

When do you want it?

When do you want it?

You'll never know when it's gonna

happen. Maybe years. What's goin' on?

- All right, son.

- This pork chop killed a friend.

Rate this script:5.0 / 1 vote

Stephen Geller

Stephen Geller (b. Los Angeles, California) is an American screenwriter and novelist. He wrote the screenplay for the film adaptation of Kurt Vonnegut's novel Slaughterhouse-Five, and has worked in the film industry in Hollywood and Europe. Geller recently directed his own independent feature, Mother's Little Helpers. Educated at Dartmouth College and Yale University, Geller moved to Rome, Italy in 1969–79 to work for the Italian producer, Dino De Laurentiis, where he wrote the screenplay for The Valachi Papers, among other films. Rome became his home for the next sixteen years. He worked in the Italian, French, British and independent film industries. He also commuted to LA, and wrote for every major studio during that period. Eventually, in 1986, he returned to Hollywood, working there for a time, but leaving eventually to found screenwriting programs at Arizona State University, and at the Boston University College of Communication. His screenwriting credits, in addition to Slaughterhouse-Five, include Ashanti, The Valachi Papers, and Warburg: A Man of Influence, and "Mother's Little Helpers." In 1997, Geller directed, co-wrote and acted in the play, "Opportunities in Zero Gravity" with his writing partner and wife, Kae Geller. This two actor, seven character play thematically wove monologues around popular cultural mythology, capitalism, and the pursuit of the American Dream. Aside from screenwriting, he has also published eleven novels and a book on screenwriting, has written several plays, and has directed both theater and film. He currently teaches Shakespeare, satire, and the personal essay at Savannah College of Art and Design. His most recent novel is A Warning of Golems. more…

All Stephen Geller scripts | Stephen Geller Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Slaughterhouse-Five" Scripts.com. STANDS4 LLC, 2024. Web. 29 May 2024. <https://www.scripts.com/script/slaughterhouse-five_18280>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Slaughterhouse-Five

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.