Slaughterhouse-Five Page #3

Synopsis: Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as a Chaplain's assistant for his unit. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teen-aged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on
Genre: Comedy, Drama, Sci-Fi
Director(s): George Roy Hill
Production: Universal Pictures
  Nominated for 1 Golden Globe. Another 3 wins & 3 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
77%
R
Year:
1972
104 min
549 Views


suffering from trauma...

which we think can be

treated by electric shock.

Hello, Billy.

Hello.

We've prescribed a series of 12,

and we're up to number seven.

The patient was a prisoner of

war in Dresden when it was bombed.

He claims that well over 100,000

people were burned to death in the fire.

Worse than Hiroshima. And

since Billy was actually there,

it's natural to assume that this has had a

contributing effect on his present condition.

He's ready, Doctor. You're

going to sleep now, Billy.

Aufstiegen.

Was is los?

Arouse!

Arouse!

Schnell!

Name?

Paul Lazzaro.

That's two z's.

Parents? I don't got no

family. I said two z's.

To whom we send the number in

case of death? Send it to him.

This is your tag.

Don't forget it.

Ja, wohl.

Name?

Parents?

You want it now, Pilgrim? Or in

the morning? What do you want?

- Hey, hey! Why me?

- Aufstehen!

Oh, you're

on my list, pal.

- Aufstehen!

- Aufstehen.

Gear it down, fella. These

Germans can be awfully mean.

Oh, yeah? Well, they don't know Paul Lazzaro.

Listen. We Americans

have got to stick together.

Who are you, pop?

I'm Edgar Derby.

Yeah? Well, I got somethin'

for you to stick, Derby.

All right. All right.

Hey, you f***in' goon! All

right. I'm takin' 'em off!

Leave me alone! I'll take

'em off! I'm warnin' ya, pal.

All right, son.

Over here.

Here we go, Billy boy. I'll take

you out. Time to sink or swim!

That's the way to do it,

Pilgrim. Best thing for him.

By God, Pilgrim.

You're really gonna do it.

You bet your boots I'm gonna do it. His

mama's not gonna keep him all of his life.

My old man did the same to me.

Done me a world of good.

Oh, you betcha!

It's the only way!

Well, this is it, Billy boy.

It's sink or swim!

And don't...

Billy?

Billy?

Billy!

Who are they?

They're Russian prisoners.

# Hail, hail

the Yanks are here #

#Join the men from Dover

till the war is over #

#We bid you welcome here #

# With a little food and cheer

you're welcome here #

#To share our food #

#And cheer ##

Evening.

Come along inside.

We've organized

a little welcome.

We had a couple of days notice

of your arrival.

That gave us

an opportunity to prepare.

Hear you had a pretty beastly time

in Bondem. Jerry put on quite a show.

It can't last forever,

can it?

- Where'd you get all this?

- Red Cross. Clerical error.

They've been sending us 500

parcels a month instead of 50.

Three years now. We've

got rather a lot, actually.

Shouldn't you tell 'em?

Shouldn't you

give it back?

Oh, Yank. You haven't been in

the fight very long, have you?

Come along. I keep forgetting wars

have always been fought by children.

Where did you get this absurd

Rate this script:5.0 / 1 vote

Stephen Geller

Stephen Geller (b. Los Angeles, California) is an American screenwriter and novelist. He wrote the screenplay for the film adaptation of Kurt Vonnegut's novel Slaughterhouse-Five, and has worked in the film industry in Hollywood and Europe. Geller recently directed his own independent feature, Mother's Little Helpers. Educated at Dartmouth College and Yale University, Geller moved to Rome, Italy in 1969–79 to work for the Italian producer, Dino De Laurentiis, where he wrote the screenplay for The Valachi Papers, among other films. Rome became his home for the next sixteen years. He worked in the Italian, French, British and independent film industries. He also commuted to LA, and wrote for every major studio during that period. Eventually, in 1986, he returned to Hollywood, working there for a time, but leaving eventually to found screenwriting programs at Arizona State University, and at the Boston University College of Communication. His screenwriting credits, in addition to Slaughterhouse-Five, include Ashanti, The Valachi Papers, and Warburg: A Man of Influence, and "Mother's Little Helpers." In 1997, Geller directed, co-wrote and acted in the play, "Opportunities in Zero Gravity" with his writing partner and wife, Kae Geller. This two actor, seven character play thematically wove monologues around popular cultural mythology, capitalism, and the pursuit of the American Dream. Aside from screenwriting, he has also published eleven novels and a book on screenwriting, has written several plays, and has directed both theater and film. He currently teaches Shakespeare, satire, and the personal essay at Savannah College of Art and Design. His most recent novel is A Warning of Golems. more…

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Submitted on August 05, 2018

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