Satan Met a Lady Page #4

Synopsis: Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the forethought to provide himself with a 250-dollar commission from an old lady on the train, is welcomed with open arms. When pretty Valerie Purvis walks in the next day willing to pay over the odds to put a tail on the man who did her wrong, Shane's way with the ladies looks like paying off yet again. But things start to go wrong when his partner is murdered, and Shane himself comes home to find his apartment wrecked by a gentlemanly crook who comes back to apologise -- and to tell him a fascinating fairy-story about the fabled Horn of Roland that looks like not being so mythical after all. Miss Purvis wants protection. The police want answers. And all sorts of people want the 'French horn'... but Shane is one jump ahead of everyone all the way. Well, almost.
Director(s): William Dieterle
Production: Warner Bros.
 
IMDB:
6.2
APPROVED
Year:
1936
74 min
66 Views


- No.

Instead, you phoned your secretary

to tell her.

If this is boring you, sweetheart,

we'll leave.

- Oh, no. Go ahead.

- Oh, Shane, don't be so stingy.

How do you expect us

to turn up anything on the Ames killing

if you don't give us what you got?

You needn't get a headache

over Ames' murder.

- I'll bury my own dead.

- That's what I thought.

That's exactly why I came to see you.

Now, Shane, give us the lowdown.

- Where were...

- Pardon me.

Well, this is the best place

in the world for third degree.

- Isn't it, Roy?

- I'll say so.

Now, wait a minute, Shane.

Your partner Ames was shot

while tailing a man named Farrow.

And shortly after you left your

partner's dead body, Farrow was killed.

- I killed him for revenge.

- Cut that out.

Farrow died before he could say

who shot him.

Oh, but you're not a man

to need his word for it.

Babe and I are trucking along

if you're through.

- Not so fast.

- You're not ready to pinch me yet,

- are you, Pollock?

- No, not yet.

Swell. Come on, heartthrob.

Now will you have the name

on this door changed?

Just "Ted Shane, Private Operator."

- You win by process of elimination.

- Anything important happen?

A great, big, tall Englishman called.

- Oh, what did he want?

- He didn't tell me.

- What was his name?

- He didn't tell me.

That was a lovely case

you sent me out on last night.

I know, precious.

Widows are tough to initiate,

but if she turns up here,

keep her away from me.

- How could I?

- Hello, kitten.

Come in if I scream.

Well, I was just standing here

and zip, she went in. I couldn't help it.

Poor kitten.

Oh, Shane, did you really kill him?

Who put that bright idea

in your pretty little head?

Be kind to me, Shane.

Now you'd better go home and take

some sleeping tablets and get some rest.

And you will be careful

about coming here, won't you?

And I'll come to see you as soon as I can.

- How soon?

- Just as soon as I can.

How long do you have

to wear black, honey?

Don't you like me in black?

Oh, you look so good that people

will think you killed Ames just so

you could have mourning clothes

to make you look more gorgeous.

Well, now, don't worry

about the insurance or anything.

- I took care of the insurance already.

- Oh, well, then you'll be all right.

- Be kind to me, Shane.

- Excuse me.

- Shane speaking.

- How you doing, Shane?

- How am I doing?

- "Be kind to me, Shane."

Well, anyway, you love me

and know I wouldn't do anything wrong.

- Well, you might've killed Ames.

- Listen,

I'm supposed to be

a detective solving a crime case,

and everybody thinks

I committed the crimes.

Mrs. Ames thinks I killed her husband.

And the police think I killed Farrow

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Brown Holmes

Brown Holmes (December 12, 1907, Toledo, Ohio – February 12, 1974, Los Angeles County, California) was an American screenwriter who worked for several major Hollywood studios in the 1930s and 1940s. Among his credits are several highly regarded prison films: I Am a Fugitive from a Chain Gang (1932), 20,000 Years in Sing Sing (1932) and Castle on the Hudson (1940). He also wrote or co-wrote two adaptations of Dashiell Hammett's 1930 detective novel The Maltese Falcon: The Maltese Falcon (1931) and Satan Met a Lady (1936). more…

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Submitted on August 05, 2018

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