Satan Met a Lady Page #3

Synopsis: Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the forethought to provide himself with a 250-dollar commission from an old lady on the train, is welcomed with open arms. When pretty Valerie Purvis walks in the next day willing to pay over the odds to put a tail on the man who did her wrong, Shane's way with the ladies looks like paying off yet again. But things start to go wrong when his partner is murdered, and Shane himself comes home to find his apartment wrecked by a gentlemanly crook who comes back to apologise -- and to tell him a fascinating fairy-story about the fabled Horn of Roland that looks like not being so mythical after all. Miss Purvis wants protection. The police want answers. And all sorts of people want the 'French horn'... but Shane is one jump ahead of everyone all the way. Well, almost.
Director(s): William Dieterle
Production: Warner Bros.
 
IMDB:
6.2
APPROVED
Year:
1936
74 min
66 Views


and he'll lead us, eventually,

to your betrayer.

- Thank you so much.

- Thank you.

I couldn't find a taxi.

Let's go this way.

- What time do you finish tonight, kitten?

- Pretty late, daddy.

- Mr. Shane, telephone.

- Oh, thank you. Excuse me.

If you come back with some story

about having to leave,

I'll know it's a frame-up.

You don't say. I'll come right out.

Now listen, kitten,

I've got to go away for a little while,

but I'll be back before

the end of the last show.

- I'll wait for you near the dressing rooms.

- All right.

- Check, please.

- I knew it.

Remember to put this in the books,

charge to expenses,

for Mrs. R. Manchester Arden.

You'll have to take

a cab home alone, honey.

Well, you might at least

have given me some sort of an alibi.

I will. I've got a pip.

I have to go up to the graveyard.

The graveyard? What for?

To see about somebody

who's dead, of course. Come on.

Poor dear old Ames.

It's the first time he ever did anything

in an appropriate place.

You must feel kind of bad,

losing your partner so suddenly,

- just when the firm was getting going.

- Well, Dunhill, what's the dope?

One pill out of that old Webley

did the work.

- Right to his heart, through the side.

- What's...

What was he doing with his arm up

like this? Parting his hair?

I don't know. That big burn on his coat,

- that gun was poked right into his ribs.

- Let me see that.

- Oh, Dunhill, I didn't find anything yet.

- Well, keep looking.

Ames' gun was sorted away

in his shoulder holster.

- Was he working on a case, Shane?

- He was trailing a man named Farrow.

- A man named Farrow. What for?

- For $200.

Don't you want to take a closer look

at your silent partner?

No. No, you've seen everything I could see.

I'd better run along

and break the sad news to the widow.

Murgatroyd speaking. Shane?

Well, moonbeam,

where do we go from here?

I thought you'd know that.

You're supposed to be the man

that knows all the answers.

- Anything wrong?

- No.

- Hello, Shane.

- Why, hello.

Honey, I thought you might like

to join my friends here for a little party.

Sergeant Dunhill

and Police Detective Lieutenant Pollock.

- Gentlemen, Babe.

- Pleased to meet you, I hope.

I got out to the graveyard

just after you'd left. Sorry I missed you.

Yeah, so am I. There's no place

I'd rather see you than in a graveyard.

Pardon me, please.

Roy here tells me

that you were in an awful hurry

to get away from that cemetery.

I couldn't bring Ames back to life

no matter how long I stayed.

Oh, but you said you were leaving

to break the news to the widow.

And you didn't go out there

and tell the widow.

- No.

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Brown Holmes

Brown Holmes (December 12, 1907, Toledo, Ohio – February 12, 1974, Los Angeles County, California) was an American screenwriter who worked for several major Hollywood studios in the 1930s and 1940s. Among his credits are several highly regarded prison films: I Am a Fugitive from a Chain Gang (1932), 20,000 Years in Sing Sing (1932) and Castle on the Hudson (1940). He also wrote or co-wrote two adaptations of Dashiell Hammett's 1930 detective novel The Maltese Falcon: The Maltese Falcon (1931) and Satan Met a Lady (1936). more…

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Submitted on August 05, 2018

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