Oh Boy Page #3

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Yes, I'll be right there.

I'm bringing someone with.

You're crazy.

A friend of mine.

He works right around the corner.

Will you drop me off at home?

There.

- Matze, man, that's awesome.

- Heil Hitler.

Now we'll Heil Hitler for real.

Come here, oldy.

- How are you?

- Super.

- My buddy Niko. - Hallo, Niko.

Philipp Rauch. Nice to meet you.

Folks, come in.

It's total chaos here.

You could clean up here.

- Should I close the door?

- Yeah.

- That thing is bigger than my apartment.

- Too big, yeah.

- That suit looks good on you.

- Put that out of your head.

The cut and the material,

it really looks good.

- Look look like my grandfather.

- Ah!

The game's over!

Come on, pants off.

Now, I'm going to cut

out your tongue.

Heil Hitler.

That was a real matzo.

Yeah, for sure. Sit down.

Take the damn autograph cards away.

Are there perhaps a couple free,

untaken roles in it?

- Maybe something small. I'll ask.

- Only if it's not a problem.

No, it's fine.

I play the lead role there. You too?

Hm? No thanks.

- What? It's great.

- It's really not.

- Whoever doesn't want that, has it already.

- But are you allowed to say what it's about?

- What? In the film?

- Yeah, exactly.

- What's the story?

- That's a good question.

I play a sensible writer

who, before the war began,

was in love with a bookseller,

and didn't know, that she was a Jew.

During the war they

lose sight of each other.

And six years later,

I'm a faithful officer...

But not totally faithful.

There's a twist.

I'm in charge of searching through

Jewish houses.

There comes a moment,

in which, suddenly, Hanna,

the bookseller,

I see her again.

And now my character is

faced with this conflict.

To save her, not to save her?

What? How?

And in the final moment

he decides...

and he saves her from the

from the...

Deportation.

Thank you. Deportation.

He hides them.

The love breaks out again

and one night

she suddenly confesses to him...

Guess.

- That they've have a kid together?

- Jakob. Tiny, six years old.

And they have taken the child from her.

That is the moment for me,

for Heinrich,

in which something in him snaps.

He feels purified

and only wants the past to return.

He wants to see this child.

Then comes something really dramatic.

But I won't tell you the end.

My god. Who thinks up this stuff?

- Is that based on true events? - Yeah, it

happened during the second world war.

Hey, Niko. Come over here.

Hey, come over here.

I'm gonna bite you. Come here.

Come, sit down.

You can take a look at the monitor.

Sit down.

How do I know you both?

Matze and you?

Because we were neighbors.

- Aha.

- Finished.

Thanks, Conny.

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