None But the Lonely Heart Page #6

Synopsis: A sickly English woman runs a store by herself, while her irresponsible son travels aimlessly, refusing to contact her. When told that his mother has cancer, the young man comes home, reforms himself, and helps his mom run the shop. Soon however, each becomes involved in illegal activities.
Genre: Drama, Romance
Director(s): Clifford Odets
Production: RKO Radio Pictures Inc.
  Won 1 Oscar. Another 4 wins & 3 nominations.
 
IMDB:
6.6
PASSED
Year:
1944
113 min
151 Views


Here's you and here's

me, in working order.

Ta-ra chin!

Ain't i lovely?

Proper dream,

you are.

All blistered

from weeks of work.

I'm going to need some more green paint.

Pick it up

at pa prettyjohn's.

Hey, where are

you off to?

I'm off to

the whitechapel road

to do a bit

of business.

Don't know

how long i'll be.

Take charge

of the shop.

See how you go.

Makes me proud you

think i can do that.

Slosh you one.

Ain't so long since i was

washing out your baby napkins.

Come on, nipper.

Are you taking nipper?

Why not? Cradled him, didn't i?

Here, put that

in your pocket.

See how you like it.

Right.

Slosh you one.

Oh, hello, ma.

How's your

poor old feet, ma?

Old.

Here. I think i'll

hang her up in my room.

What for?

Reminds me

of a person.

Reminds me

of a christmas goose.

Here, take this

with you.

Hop it now,

up to your room.

What is it, ma?

Sausage and mash

for supper,

so don't be late

coming down.

Ma.

Makes me give at the knees,

this surprise of yours.

Glad you like it, son.

Supper's nearly ready.

Sit down and have

your supper, son.

Wish you'd walk past

fish and chips,

let that

mrs. Tate see you,

not to mention

dear ma fadden

and the plaster-haired alf.

Ha ha ha! Surprise

them all, won't i?

Surprises me most.

You look just like

your father did...

on his best days,

that is.

Did you love

my old man?

Expect you to do

something for me tonight.

What?

Stroll around

a bit with me.

We'll see a film

- the two and fourpenny seats.

Don't you try any of them larks on me.

I'm old enough

to be your mother.

Ha ha ha!

Come on, ma.

Do it.

Couldn't do it, son.

Why not?

Too rich for my blood.

Besides,

sleep's a blessed thing.

What's wrong, ma?

Something hurt you?

No. What gave you

that idea?

Got a funny story right

on the tip of me tongue

about a little man

in the park.

Isn't them yeast tablets

up on the mantelpiece?

Tummy ache.

What about

that funny story, son?

Oh, yeah. Oh.

This little man

is in the park, see?

That's peculiar. It slipped my mind now.

Ache all gone?

Nothing to it.

Sausage ain't right

for delicate appetites.

Go on. You cook

them a treat, ma.

Worst cook

in london town.

Don't try

buttering me up.

If it's

a pound you want,

you'll find it up there

under the vase.

That's it, ma.

Seen right

through me, you did.

Off you go then.

Tomorrow's sunday,

so it don't matter

how late you come back.

Don't wake me.

Well, uh, well,

i'm off, ma.

Have a good time,

boy.

Thanks, ma.

Hey, hey.

Your hat's on crooked.

Quiet as

a little mouse.

Listen, ernie.

I'm sorry

you've come back.

Ow!

Rolled an ice-cold

pickle jar

down my back,

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Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

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Submitted on August 05, 2018

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