None But the Lonely Heart Page #5

Synopsis: A sickly English woman runs a store by herself, while her irresponsible son travels aimlessly, refusing to contact her. When told that his mother has cancer, the young man comes home, reforms himself, and helps his mom run the shop. Soon however, each becomes involved in illegal activities.
Genre: Drama, Romance
Director(s): Clifford Odets
Production: RKO Radio Pictures Inc.
  Won 1 Oscar. Another 4 wins & 3 nominations.
 
IMDB:
6.6
PASSED
Year:
1944
113 min
151 Views


I'm glad

i ran into you.

Are you?

I need 2 pounds' worth

of clock repairs.

I'm on me way

to liverpool.

Oh.

Don't they use money

in liverpool anymore?

A gent!

Ah, ancient history.

"To edward from mary,

with love."

You know, ike,

give me good old

quiet machinery anytime.

She wants a quid on this

- an old lady.

Give it to her, an old lady, mr. Lesser.

Everything

with a kiss.

Clocks. Clocks.

Tick tock.

Tick tock.

Tick tock.

Did you ever realize

your mother was,

once upon a time,

maybe the most

beautiful woman

in the east end

of london?

In the old days,

i mean.

What about it?

Excuse me if i put a flea in your ear.

Your mother is

a very sick woman.

You owe me 2, ike.

Pay it.

I'll be on my way.

Does she have a pain

for her no-good son?

Your mother is not a

superficial woman, mr. Mott.

When she gets ill,

she gets ill.

What is it?

Cancer.

I recommend you not

to say a word to her.

Everything with a kiss.

What are you

laughing about, son?

Are you laughing?

Huh?

Thought i heard

you laughing.

Seems like

i saw you before.

Wasn't it the other

night in westminster?

What's your name,

son?

Ernie mott.

As the bacon

said to the egg,

"so pleased

to meet you."

Henry twite's

my name.

Ernest verdun mott.

That's mine,

if you want it all.

How did you come by a

rare, old title like that?

Me father-

he rolled up there at

verdun in the last war.

A friend of mine

put something in my ear,

and i can't

get it out.

Buzz, buzz, buzz.

Been drinking,

have you?

Lor lummey,

you got it bad.

I know all about

trouble, i do.

Son of my bosom,

that's what you are.

Son of your nothing.

I'm a lone wolf,

barking in a corner,

plain disgusted with

a world i never made

and don't want

none of.

There's the river, boy. Help yourself.

Don't like water

neither, i see.

Ah, that's

different, that is.

Sweating like that

on a night like this,

you'll catch your

death of double ammonia.

Come along with me to a

place where it's warm and dry.

Here we are, dad.

Echo! Echo! Echo!

I'll see you

soon again.

Echo!

What for, dad?

Maybe help you

to get

more adjusted to your environment.

Now, wait.

Why not help

my environment

get more

adjusted to me?

Follow that?

Buzz, buzz, buzz.

Verdun,

you're drunk.

You are.

Oh, i am that, dad.

Echo! Echo! Echo!

oh, starry night

oh, starry night

dee dee dee dee

deedle-dee di

oh, well.

Say good night.

See you soon.

And me feet killing me.

Good night, dad.

Night, verdun.

Echo, echo, echo.

Buzz, buzz, buzz.

Changed my mind.

Home to stay.

Less said,

the better.

Knock off that piping.

Get up to ma tate's

and get some grub.

Spirit of

the morning, ma.

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Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

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Submitted on August 05, 2018

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