Murder 3 Page #3

Synopsis: A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni.
Genre: Thriller
Director(s): Vishesh Bhatt
Production: Fox International
 
IMDB:
4.9
NOT RATED
Year:
2013
124 min
Website
343 Views


we think Vikram is responsible.

He is the prime suspect.

No, he's innocent.

He could never do that.

You just want to give

him a hard time.

Here's some advice for you.

Investigate thoroughly.

Damn sure I will.

But I can see the

effect his wealth...

and glamour have had on you.

Anyway, an honest

cop doesn't earn much.

You are jealous, Kabir.

Yes, I'm drawn to Vikram's

wealth and glamour.

Happy?

Take care.

Hello?

Who is it?

Who is it?

Vikram...

is that you?

Hello?

Who is it?

Here...

in 20 minutes you

will be alright.

But nothing seems alright.

I mean, in this house...

There are strange sounds

coming from the bathroom.

The electricity keeps going off.

I'm afraid to live here all alone.

I think...

there's someone in this house.

Of course, there is...

you and me.

Apart from us...

Well, we have a gardener.

No...

there's someone else.

Really?

Who?

I think...

a ghost.

Where is this ghost?

I'm serious, Vikram!

Here.

Yes, Vikram...

this is where I heard the sounds.

Muffled... choked...

I can hear some strange sound...

probably the wind.

Has to be the plumbing...

No, Vikram.

It's not the plumbing.

It's not the wind, either.

I am certain its a ghost.

Okay.?'-

Hello!

If the ghost is male,

'Be gone, ghoul'.

And if female, 'Go away, banshee'.

If you ever trouble my

Nisha again, I will kill you.

I mean, make you alive again!

Okay?

It's not funny, Vikram.

I am serious,

there is a ghost.

There's only one ghost here.

Me!

Help me.

I hate you.

Really?

Yes.

You think so?

Yes.

Vikram...

Yes?

I feel those eyes are

staring at me.

Put it away.

Please.

It's done.

Where is it?

- There.

Sir!

Sir!

What happened?

Sir, I don't think it was an

accident. The car was set on fire.

Hello?

Speaking...

I'll be there.

What's the matter?

Who called?

The cops found the

body of a girl and...

they think it might be Roshni.

What?

I have been called to

identify the body.

See you.

How can she be Roshni?

Excuse me?

That's not Roshni.

Why don't you take

a good look.

I took a good look.

That's not Roshni.

What appears hidden...

is easily visible.

I am sorry.

With whom were you talking?

Nobody.

What happened...

the body?

That wasn't Roshni.

Are you alright?

Nisha...

only you matter to me now.

Roshni is no longer

a pan of my life...

not even as a memory.

Roshni doesn't exist for me.

I Love you.

Vikram, we're getting late.

Vikram...

What are you doing

in here for so long?

You think only girls can

take hours to get dressed?

Why don't you get

CCTV for the house?

That way you'll know

what I'm doing.

I'll think about it.

But now we're late for your party.

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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