Murder 3

Synopsis: A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni.
Genre: Thriller
Director(s): Vishesh Bhatt
Production: Fox International
124 min

Vikram, it's not easy

for me to say this.

So, please listen

to me carefully.

We can't be

together because...

I don't understand

you any more.

I tried to console myself

but it's impossible.

I am leaving you.

I chose to record this

message because...

I don't want to talk to you.

No discussion...

no arguments.

I suggest you forget me.




I am so proud of you.

Thank you.

Today I'm a simple


Do you believe in my an...

Do you?


I may not be rich today.

But one day I will

be somebody.

Do you believe me?

I do.


What is it?

What's wrong?

Remember I had sent some

photographs to an agency in Bombay?


Well, the agency people are here

and they want me to shoot for them.

The catch is I have to move

to India for one year contract.

But I told them...

I'll think about it.

This is a good break

for your career.

It's a prestigious platform.

Don't think... just go.

I don't want to leave you and go.

And you can't go.

You have a successful

career here.

Your life...

your friends.


You know what...

screw it.

Screw the job.

I can get a job in India too.


I want to live with you.


you have to promise me one thing...

you will never

abandon me.



Sir, this is the house

that we spoke about.


What do you think?

One moment.



It's exactly as you

wanted it to be.

Far from the

madding crowd.

I can't bear to see

lonely men cry.

I think he's either a coward...

or he's trying to get

over a mistake.

I think it's something else.

There's something

melancholic about him.

Are you reading his face?

Sir, your bill.

Sir, it's time to close

the restaurant.

Thank you.

Did you leave your eyes

behind in your wife's purse?

Stop it... let him go.

Why drink when you can't handle it?

He star-ted it.

I'll make you sober in a minute.

Are you okay?


I'm not okay.

Let me call for a taxi.


I'm fine!

I have a car...

I am okay.

You seem intent

on driving...

but I don't think you can.


Sometimes right,

sometimes left...

sometimes ahead,

sometimes behind...

we've been driving

in this manner for hours.

Can you tell me the exact

address, please?

Hunters and their prey...

have one address...

the jungle.


Enough is enough.

He didn't give his address,

what else could I do?

But what do we do now?

I don't know...

but we can't leave

him here.

Let's take him home.


What if someone

sees him?

Oh no!

Let's take him home.

If we leave him out here,

he'll cause trouble for us.

Come on.

Stop it.

He is heavy.

Let me get him a blanket.

I know this couch is small...

but you can sleep here.

Baby, I am very tired.

Good night.

No arguments...

no arguments...

no arguments...

Good morning.

Good morning, Vikram.

Your coffee.

I hope you slept well.

By {he way...

I'm Nisha.

How do you know

my name?

You told me last night.


I just want to work now.

Give me so much work, that

I don't even have time for myself.

Correct... correct...

But you know very

well that...

when you have assignments,

you're loaded.

But otherwise, there's

nothing to do.

You won't be interested in

wedding photography...

I am.

I will do anything.

I just want to be busy.

To be honest, I don't even

feel like going back to that house.

Correct... correct...

But the place where

a man fears to go...

is the place where

he'll find his answers.

My friend, if you

want to move on...

you should forget

about her...


from today.

Right now.


I thank you for what you did

and I am sorry for what I did.


Sorry... I mean...

for this morning.

That was really rude.

You don't like to wake up in

a stranger's small apartment...

I figured that.

It's okay.

If you don't forgive me,

I can't forgive myself.

If you don't mind...

as an apology...

tonight's dinner is on me.


but I don't go on dates

with patrons.


Surely a patron can

seek forgiveness.

And it's not a date,

it's an idea.

My way of apologizing.

I'll wait. No problem.

One whisky please!

Take the keys.



Are you hungry?

Come with me.

I am sure you don't live

alone in this big villa?

I do live alone...

because I am alone.

So am I.


when did you wake up?

A while ago.

Come on...

breakfast is ready.

I see that you live alone,

far from the city...

in this museum-like


but I can't...

figure out why.

You seem to be in a hurry

to know everything.

I just said that...

it's okay if you

don't want to tell me.

There was a time"

when I took photographs

of wild animals in the jungle.

These days it's photographs

of city dwelling animals.

I like to be close to nature.

There's so much to learn.

For a new beginning...

it is important to sever old ties.

Leaves dry and wither away,

only to give way to new leaves.

So what are you thinking?

It's better not to think too

much and let things fall in place.

Get dressed,

I'll drop you off.


Good morning.

It's past noon.

In the government,

there's no rule...

that dictates you can't say good

morning even if it's afternoon.

If you don't mind.

Sorry, I guess you do mind...

because we didn't think...

you'd get close to someone

else so soon.

Otherwise we wouldn't bother you.

Come in.

This house is really big...

and exceptionally nice.

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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    "Murder 3" STANDS4 LLC, 2024. Web. 25 Jun 2024. <>.

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