Monte Carlo Page #5

Synopsis: Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all?
Director(s): Ernst Lubitsch
Production: Paramount Pictures
 
IMDB:
7.0
PASSED
Year:
1930
90 min
247 Views


Don't talk about money in any way. | In fact, don't talk at all.

I understand.

And remember, | the countess is very strict about this -

never flirt with chambermaids.

- I never do. | - Quite right.

But to avoid any future misunderstandings -

I am not a chambermaid.

Still, I - | I never do.

Now I will announce you to the countess.

Bring her in. | I am ready.

How do you do?

- How long have you been a hairdresser? | - Oh, a long time, madame.

I have served many, many ladies.

- Where did you work? | - At home.

I mean, uh, the - the ladies | always came to my house.

Oh, yes. Yes, of course. Yes.

- Uh, naturally, there'll be no more of that. | - I realize that.

You are in my employ now | and you will devote yourself entirely to me.

Only to you, Countess.

- And I hope it will not be a job for a day. | - That depends entirely upon you.

Then I'm sure it will be at least, uh - | a week.

Who knows? | Maybe for months.

Maybe for years.

Uh, who knows?

- By the way, what's your name? | - Rudolph.

- Rudolph? | - Yes. Rudolph.

Rudy!

I don't like that name. | I don't ever want to hear it again.

Oh, but don't worry. | It's not your fault.

Let's see. | I shall call you, um... Paul.

Just call me Paul.

Rudolph!

Yes, Countess?

Didn't I tell you your name was Paul? | If you ever answer again to Rudolph, I'll -

Hello? Yes? Who?

Who do you wish to speak to?

Rudolph?

Paul. For you.

Thank you, madame. | Pardon me, please.

Hello, this is...

Paul.

Paul!

No. Paul.

R-U-D-O-L-P-H.

Paul!

Yes! Paul is here too.

What we want to know is, | how are things going?

What? | You are not alone.

He's not alone!

You can't speak? | Oh, I understand.

Yes, well, I'll ask questions | and you just answer.

Yes.

Yes. Yes!

No.

Well, I hope so.

Good-bye. | See you tonight.

My servants | don't receive phone calls here.

- Please remember that. | - Quite right, Countess.

And please don't ever make engagements | without asking me first.

And you will not have | this evening off.

You will stay right here.

Thank you very much, Countess.

You're making yourself | much too prominent.

- Bags. | - Yes. All right. Yes.

Excuse me, madame. | My baggage has just arrived.

Well, don't unpack yet. | I'm not at all sure I'm going to keep you.

So far you've done nothing | but make me nervous.

Now I'd like to see | what else you can do.

Cut my hair.

Haircut a la Marotte.

The countess said "a la Marotte"?

Yes, yes. A la Marotte.

A la Marotte.

Oh! | A la Marotte.

Of course. | How silly of me.

A la Marotte.

And that's what you call a haircut? | Are you insane?

Yes, madame! Oh, Countess, | please forgive me, but I can't do it!

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Ernest Vajda

Ernest Vajda (born Ernő Vajda; 27 May 1886 in Komárno, Austria-Hungary, today Slovakia – 3 April 1954 in Woodland Hills, California) was a Hungarian actor, playwright and novelist, but is more famous today for his screenplays. He co-wrote the screenplay for the film Smilin' Through (1932), based on the hit play by Jane Cowl and Jane Murfin. Vajda also wrote the screenplay for the first film version of Rudolph Besier's The Barretts of Wimpole Street (1934). more…

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Submitted on August 05, 2018

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