Me and Orson Welles Page #5
- There you can see for yourself.
People will not look at you,
because they listen to you.
Hypnotized by poetry. Precisely the
is magic in the play, not skin tone.
I just want to have you come up here
before I come on stage.
Thank you.
- Anything for you, Muriel.
Can you make light down here?
To a butterfly-shaped shadow
prove under the nose. We continue.
Be just patience!
Wait! I went too far when I
told. I fear that -
that I am doing injustice to the honest men
Then there was Jeanette Bradley. She was
me unfaithful, when she went to bed Orson.
But that evening I met Velma Lord
Let hear.
She would be like a gymnast.
Yes, she is flexible.
She took a good grip on the block flute?
What about Evelyn?
She has since style.
- I love her smile.
I love her buckle.
- And her ... smooth curves.
Here we have a beautiful girl.
- I love her face.
Hello, Richard. How have
Fine.
Have not you got a new blouse?
- Yes. Thank you noticed.
If you read my favorite novel?
- I will discuss it with Selznick.
When do you see with him?
- He may come to the premiere.
Is it true? I must be on stage in
a completely inexperienced scene -
and then comes Selznick?
You big Chinaman
I put an end to my career
on Broadway and in Hollywood simultaneously.
Impressive, if you take him.
- I do.
Sonja, I have discovered a wonderful
little place in Greenwich Village.
May I take you there tonight
after the test? They keep long open.
It is an incredibly
generous offer, but -
I have an agreement with Richard.
It was just for fun.
- Welcome to the line shift.
What is it?
In a novel describes intimate cosiness not
as the book was not published.
So it becomes:
"He held her close,and threw himself on the bed. "Connect.
Line shift.
Yes, and in the next paragraph reads:
"The sun rises and the milkman
suggests milk bottles at each other. "
The good thing is there.
Fertilises hope his next 30 years
will be in line switch.
Have you ... with ...?
- No, unfortunately. But I've tried.
No line breaks?
- I've spent $ 30 on the slut.
A bet. Two dollars for him;
who first come in skirts on Sonja.
It is indescribably rough.
- It's sordid and degrading.
So when five U.S. dollars.
It is an agreement.
Tight lines.
- It does this increase is likely.
Faster!
Here are a sick, who will talk to you.
- Higher!
It was better. Go out to the left.
Scene left side!
How did that?
- I got tears in his eyes.
Friends, Romans, countrymen,
lend me ear!
Let us listen to Antony.
- I come to bury Caesar.
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"Me and Orson Welles" Scripts.com. STANDS4 LLC, 2024. Web. 17 May 2024. <https://www.scripts.com/script/me_and_orson_welles_13546>.
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