Me and Orson Welles Page #4
Mr. Coulouris,
you look great beyond.
I thought we practiced with costumes.
But as you cut into the piece, -
could my role
equally well be written off.
Antony's funeral speech
play's climax. Everybody knows it.
in chorus with you.
Yes, if they are still awake after
the numerous scenes with you and Gabel.
To every single scene with Cassius
be included with all dialogue preserved -
while the scenes with Anthony,
all of which you know has an important role -
be cut down to 40 lines
is something I do not understand.
But Gabel is the director's favorite.
Just as Olivier was -
when we played together at Elsie
Fogerty acting school in London.
George! The material in
"Friends, Romans, countrymen" -
is not the actual speech,
but its effect on the audience.
You listen.
You end up. You control them.
- Orson.
Do you think that you can teach me something
I do not know?
Duthie!
They spoil my role, and now will you
kill us. What orchestration!
Contemporary clothing.
They can not afford costumes -
Lemme in the floor is as old as
Shakespeare. This is not for children.
I thought you rehearsed your lines.
- I pity my good lines.
Go and close the door. Someone banks.
- Lord, Cassius stands at the door.
Is he one?
Not "no" but "more".
The Shakespeare poetry.
Do you think you can change the world
greatest playwright words?
No I ...
- Rehearse your lines.
I can my lines.
- You must exert yourself "several" times.
This scene must humanize
whole piece historical procession.
We weep for Brutus dead
due to this scene.
The beautiful lullaby prisoners
all his unspeakable sadness.
A lullaby that I have taken from
Henry the Eighth, 3rd Act 1st scene.
Has he got ukulele? Sonja,
he must use music for the song.
Your mother is
very dissatisfied with you.
Why?
- Because you came home after midnight.
Jeez, however. All the meanness.
I get choked.
When he gets to the ladder top ...
- I have not heard of colorless light.
Hello.
Where's the color filters?
- Muriel, the ones we take care of later.
Light pink is the only color
which effectively highlights -
my natural skin tone. Jeannie,
you'll be sweet to put these in?
Do whatever she says. I will
just do not hear more about the skin tones.
Understood? Me recite my soliloquy
in the foreground on the right.
But it is known,
Should you be there?
Will you instruct the play? We could indeed
throw a bright pink light over the audience.
I will not look like a giant
that hovers over you. People will laugh.
No. People will not even look at you.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Me and Orson Welles" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/me_and_orson_welles_13546>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In