Lilith Page #3

Synopsis: Lilith is a about a mysterious young woman in an elite sanitarium in Maryland, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally obscure past is seemingly drawn into her web. As time passes, their relationship deepens and intensifies, and the differences between them begin to blur, leading to a shocking, but oddly logical conclusion.
Genre: Drama
Director(s): Robert Rossen
Production: Sony Pictures Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
100%
Year:
1964
114 min
155 Views


to the things I love?

Vincent, come on. We're leaving.

Mr. Bruce, you haven't said anything

about my painting.

- Do you know what you almost did?

- What?

You almost killed a boy.

How can you let a paintbrush...

...fall 15 yards in front of you?

- I was shaking the paint out of it.

- Why'd you make him go after it?

- Because he's a fool.

If he's a fool,

why do you lead him on?

Because I'm mad.

Perhaps she was testing him.

Demanding a

demonstration of courage from him.

- Or an act of worship.

- I don't know what she was doing.

If she wanted to kill him, why didn't

she simply push him off the cliff?

All I know is, I shouldn't have

left him alone.

Look, that was my mistake, not yours.

I gave you the assignment. You

didn't have enough experience yet.

I thought it would be

good training for you.

The hard way, huh?

When I brought her back,

I tried to get her to admit what she did.

It was like trying to get her

to admit she's insane.

- She makes you forget she's a patient.

- Yes, she does.

She's very clever.

You still want to resign?

Could it be that you're

afraid of failing?

Do you remember I told you

we never issue a set of keys...

...to a worker untiI we think

he's ready?

If you didn't feel so deeply, I wouldn't

have this much respect for you.

- Hi.

- Hi.

Have you seen her? Is she all right?

Did she ask about me?

- She say anything about last week?

- I haven't seen her.

I haven't either,

or heard her playing either.

- You don't suppose she's ill?

- No, no, I don't think so.

You ought to realize it wouldn't be

right for me to act as a go-between.

I understand, yes, of course.

I beg your pardon.

I thought you'd understand

my being anxious.

I do. And when I see her,

I'll tell her that you asked about her.

Will you? That's very kind of you.

I don't mean to embarrass you,

but it means a great deal to me.

- I know.

- I suppose you think it's foolish...

...rather absurd,

this attachment of mine.

I don't think there's anything

foolish about it.

- You don't?

- No.

Not even under

these grotesque conditions?

No.

Well, still, it's possible to think of it

as a rather foolish thing.

She's so proud, you know?

Such a delicate creature.

And yet she allowed me to touch

her hair for a moment. You saw that.

You see, I really have

nothing else to live for.

Fourteen.

So many of these people

have such extraordinary minds.

Such extraordinary sensibilities.

Too extraordinary, I think, sometimes.

This is not a scientific theory.

Maybe it's romantic, but I often

compare them to fine crystal...

...which has been shattered by the

shock of some intolerable revelation.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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