Lilith Page #2

Synopsis: Lilith is a about a mysterious young woman in an elite sanitarium in Maryland, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally obscure past is seemingly drawn into her web. As time passes, their relationship deepens and intensifies, and the differences between them begin to blur, leading to a shocking, but oddly logical conclusion.
Genre: Drama
Director(s): Robert Rossen
Production: Sony Pictures Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
100%
Year:
1964
114 min
155 Views


I think that's monstrous.

It was a staff decision. Some

of the patients complained, I believe.

Monstrous.

I don't feel like

playing cards anymore.

I'll be back in a minute.

Wanna play?

Yes.

Thank you. Thank you very much.

Vincent.

Try to get her down here, will you?

Are you going on the picnic?

May I carry it?

- I don't know. May he, Mr. Bruce?

- Sure.

You're very perceptive.

I'm glad you came here.

- What nationality are you?

- I'm an American.

- No, I mean what descent are you?

- Mostly English, I guess.

Would you marry an English girl?

I mean, of English descent?

I don't know, I'm...

- Would you think I was Jewish?

- It never occurred to me.

Many think I am, but I'm Polish.

My grandfather was a priest.

I might get out of here soon. I'm

almost well. I might even get married.

Should I bring them back?

No. Stay where you are

untiI it lets up.

He says we can stay.

I never knew

you could paint like that...

...simply with grasses

and things of that kind.

They fade, but there are no colors

like them while they last.

I'd love to paint

or do anything like that.

How do you begin?

What is it that you do?

I don't do anything.

My hand just moves, and I follow it.

That's it.

Your hand moves, mine doesn't.

I can't trust my hands.

You must learn if you want them

to lead you to things you love.

No, I'm afraid I have

a scholar's mind, not an artist's.

It's a very different faculty,

you know.

You have the gift of tongues.

That's a great gift.

But it's nothing compared to you.

I've studied them. I know the grammar,

but you've invented one of your own.

- That's the greatest gift.

- I didn't invent it.

- It was taught to me by my people.

- You actually hear it, then?

I mean, you actually

hear them speaking it?

Oh, I'd love to hear it. I'm fascinated

by languages, you know.

Do you think they would

speak it to me?

Perhaps you would teach me.

I wouldn't be allowed to teach you

without approval.

It's a language very few

are permitted to speak.

But what would I have to do?

I'm sure I could persuade them.

You would have to demonstrate great

courage and a great capacity for joy.

But I can. But I can.

You don't understand me.

Eat this, then.

They might make me sick.

They could be poisonous.

Don't do that. Spit it out.

- Have I made you angry, Mr. Bruce?

- He was right. It might be poisonous.

It wouldn't hurt me if it is.

- You worry about me, then?

- I'm responsible for you.

Yes, then I'll be very good.

I promise not to get sick.

I wouldn't want to embarrass you.

You hurt my hand.

Let me see.

You have exquisite hands.

I bite my nails.

If I learned to trust my hands...

...would they really lead me

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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