Liliom Page #6

Synopsis: Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a young, innocent maid. The maid, Julie, loses her job after going out with Liliom; he's fired by his jealous employer for going out with Julie. The two lovers move in with Julie's aunt; unemployment emasculates him and a local weasel tempts him with crime. Julie, now wan, is true to Liliom even in his bad temper. Meanwhile, a stolid widower, a carpenter, wants to marry Julie. Is there any future on this earth for Julie and Liliom, whose love is passionate rather than ideal?
Genre: Drama, Fantasy
Director(s): Fritz Lang
Production: Europa Films
 
IMDB:
7.0
Rotten Tomatoes:
100%
UNRATED
Year:
1934
118 min
191 Views


- That's all.

You may go.

You made me wait around

for four hours for that?

BE BRIEF... YOUR TIME

IS AS PRECIOUS AS OURS

Precisely! I want to lodge a complaint

with the inspector.

- He's not in.

- When do you expect him?

- Not for a while.

- Pardon me. I'd like to see the inspector.

- He's not in.

- Oh, yes he is.

If you'd care to follow me,

the inspector will receive you.

- May I say who is calling?

- The Baron of Cabrol.

Very good. Sorry to delay you.

Did you see that?

If I was dressed like a bigwig,

they'd kiss my feet too.

And the inspector would be

at my beck and call.

Justice is all about false collars.

Don't make a scene.

Come on, Alfred.

Since Olinger replaced him

on the carousel...

it's small change.

You should have seen it

when Liliom was there.

- We sold so many tickets!

- Of course, Mrs. Muskat.

Liliom's real place

is at the carousel.

It's in your best interest, and his too.

He'll make money for you again.

Julie will finally have something

to live on, the poor thing.

- And I won't be obliged to feed a bum.

- Precisely.

Thank you, Mrs. Muskat.

Liliom will decide.

Unfortunately, he isn't here.

- He's never here!

- I'm not surprised.

To live all day in this miserable place

would give anyone the blues.

Especially him... an artist!

What he needs is the Hippo-Palace.

But he'd rather starve

than make the first move.

But no matter.

I'll take him back.

Let him know.

I'll be back tomorrow.

You're upset

because you're broke.

I am too,

but I can laugh about it...

because it won't last forever.

- One of these days...

- What?

You know the leather factory?

Every Friday, the cashier takes a certain

route with the employee payroll.

Suppose we get to him

when he's alone? No witnesses.

I already said no,

so why not drop it?

Fine, if you'd rather starve.

- Unless you're expecting an inheritance.

- Enough about that, or we're through.

All right, all right.

In that case, you'll have to find

some other way.

THE ISLE OF LOVE

Thanks.

- For the lady.

- Look at those legs!

What a pair of legs!

- Did you hear taxes are going up?

- I don't care.

I don't declare my income.

Hey, Liliom. Where've you been?

You're looking great.

- Still leading the good life?

- What do you think? And yourself?

A nice crowd.

A bunch of simpletons,

I tell you.

- Shall we get together later?

- I'll let you know in a while.

See you later, then.

- Is that all?

- I know a trick.

Nice and easy.

And now all we have to do

is spot a drunk...

and not mess up.

- A stinger.

- And a mint mandarin.

- So, buddy, are you up for it?

- You cut.

No, take this away.

Go ahead, write it down.

- Right on the mark again!

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Ferenc Molnár

Ferenc Molnár (born Ferenc Neumann, 12 January 1878 – 1 April 1952, anglicized as Franz Molnar) was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial playwrights. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. He was never connected to any one literary movement but he did utilize the precepts of Naturalism, Neo-Romanticism, Expressionism, and the Freudian psychoanalytical concepts, but only as long as they suited his desires. “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own.” As a novelist, Molnár may best be remembered for The Paul Street Boys, the story of two rival gangs of youths in Budapest. It has been translated into fourteen languages and adapted for the stage and film. It has been considered a masterpiece by many. It was, however, as a playwright that he made his greatest contribution and how he is best known internationally. "In his graceful, whimsical, sophisticated drawing-room comedies, he provided a felicitous synthesis of Naturalism and fantasy, Realism and Romanticism, cynicism and sentimentality, the profane and the sublime." Out of his many plays, The Devil, Liliom, The Swan, The Guardsman and The Play's the Thing endure as classics. He was influenced by the likes of Oscar Wilde, George Bernard Shaw, and Gerhart Hauptmann. He immigrated to the United States to escape persecution of Hungarian Jews during World War II and later adopted American citizenship. Molnár’s plays continue to be relevant and are performed all over the world. His national and international fame has inspired many Hungarian playwrights to include Elemér Boross, László Fodor, Lajos Biró, László Bús-Fekete, Ernö Vajda, Attila Orbók, and Imre Földes, among others. more…

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Submitted on August 05, 2018

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