Life Is Sweet Page #5

Synopsis: Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.
Genre: Comedy, Drama
Director(s): Mike Leigh
Production: Republic Pictures Home Video
  8 wins & 3 nominations.
 
IMDB:
7.5
Metacritic:
88
Rotten Tomatoes:
100%
R
Year:
1990
103 min
1,017 Views


Are you sure this is

on the level Patsy?

Of course it is it

belongs to my brother

Look the

old griddle

Ah there she

is, beautiful

Haven't seen

those in a while

Ah she's still in

good nick though

You must be joking

it's f***ed isn't it

It's got everything

you need in here

I'm making a tea Nicola

do you want one?

Oh hello Aubrey -

Hello Wendy

What're you

doing here?

I brought you

a pineapple

Oh did you?

Oh isn't it a big one

Andy's not here

He's just popped out

Yeah?

How long have

you been here?

Oh fifteen

twenty minutes

Oh you

haven't Aubrey

Straight up

Nicola -

What?

Why didn't you tell me Aubrey was here

you knew I was sitting out the back

No I never

Yes you did

Are you

calling me a liar?

Yes I am

calling you a liar

I thought you had

gone for a walk

Don't be so stupid I've never

been for a walk in me life have I

Sorry about this Aubrey -

No sweat

Come and have a little

seat in the garden

Take your coat off

get the sun on yourself

Well she's

a nice girl

Yeah nice with her

head in a bucket

Look at that

brilliant

Tell you what mate I'll let you have

these comestibles for nothing

I promise

you Andy

You go down White Hart Lane

on a Saturday for the home games

A man of your skills

a couple of hundred beef burgers

You'll make a fortune

I'm telling you

Excuse me guvnor

I'll have 4 hamburgers

3 egg burgers

A sausage roll and onion

a bacon egg and cheese roll

A tea, a bovril

and a large vodka

Sold to the man

with the beard

I have to admit Patsy

I am tempted

No

No regrets

No

No regret rien

Oh yeah that's what

I remember yeah

She sang it

in French

Yeah she was

from France

She was thin

She was thin

she was French

She dead though

ain't she

Yeah she was

a prostitute

So

Shut up

The sparrow

Yeah the little sparrow

that's right yeah

So are you all

set then Aubrey?

Got all your little menus

printed up and everything?

Oh yeah -

Yeah good

No I haven't actually

Oh blimey

when do you open?

Tuesday

Well it only gives you

a couple of days

How's everyone meant to know

what they want to eat

They might not

want to eat

Oh here

we go

Don't be stupid

it's a restaurant

So

It's alright by me if they don't want to eat

they can bask in the atmosphere

Oh blimey you're not going to make

much profit that way Aubrey

No manger-e

no sweat

That's daft

No it aint

Parisien

Why don't they

eat in Paris then?

Good one

Seven

Two-fifty

I'll come

down to six

Right three hundred

Five-fifty

So I'll give you three hundred now

and fifty when I've checked out the gear

Five hundred

Four hundred

Four fifty

Four twenty five

Alright done - right-

it's a deal

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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