Life Is Sweet Page #4

Synopsis: Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.
Genre: Comedy, Drama
Director(s): Mike Leigh
Production: Republic Pictures Home Video
  8 wins & 3 nominations.
 
IMDB:
7.5
Metacritic:
88
Rotten Tomatoes:
100%
R
Year:
1990
103 min
1,009 Views


Where I'm going to

show you something

Where?

What is it?

I am not prepared to

reveal that at this stage

Why not?

It's a surprise

What is this?

Come on

do us a favour

Give us

a clue

No, shtoom is the word

if you don't go you'll never know

Be there or

be square

Nah

Alright, suit yourself

I'll see you

in a minute

How long are

you going to be

We'll be right back -

Where you going?

I don't know

Where're you

taking him Patsy?

Don't worry Wendy

a little magical mystery tour

Eh Andy you've still

got your hat on

Blimey, catch

Sure you two

haven't got a woman

What with

my luck?

What with a

beautiful girl like you?

Heard it

all before

See ya later

Dad, get us

twenty silk cut

Get your own -

Selfish pig

Oh it's

nice and hot

It's a bit

bright isn't it

That's it

That's right

Come on

get in

What can't get it in the hole?

hahaha shut up

Relax Andy relax

Oh hi Natalie

It's Nicola

Oh yeah sorry

I brought

a pineapple

What for?

For your Mum, y'know

Ah

Do you want

to come in?

Yeah thanks

very much

Shut the door

Oh yeah

There you go

Nobody in?

Nah

Do you want

to sit down?

Yeah yeah

thanks very much

So Andrew

what do you think?

I think it's a load of old crap

that's what I think

What's the matter with it? -

Look at the state of it

Nah, coat of paint

You're looking at

the future mate

This could be the catalyst

that sparks the revolution

This is what you've

always wanted

I want this like I want

a hole in the head

This is your chance to

break out of the rat race

We should

get a cat

Eh?

Get another

cat like Tigger

What a little kitten? -

Yeah

Nah

I don't want a moggy

scratching all me furniture

Why do you

want a cat?

No

I don't know

why I said it really

We could get a big Rottweiller

then it might eat Nicola

That's a

good idea

That's one way

of getting rid of her

We should

get a crocodile

My hair's

falling out

Yeah well stop

pulling it then

It still

falls out

It's really

nice hair

Are you taking

the piss?

No I mean it

I'm sincere

Bollocks

You're a really

attractive girl y'know

No I'm not

I'm too fat

Fat? What is fat?

It's all in the mind

Do you want

to put it down

Yeah

I think it's on the turn

but I didn't want to waste it

I had a few ideas

but, y'know

Why didn't

you eat it?

Great knees

Look at this

rust every where

There you go

lightning striking a cup of tea

It's falling apart the strong winds

the roof would come off

Here you are

have a look inside

I'm not going in there mate

I value my health to much

No no feel free

No way

Ripe isn't it

It's just a bit musty

needs a bit of air through it

I bet there's

something died in here

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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