Impulse Page #6

Synopsis: The gorgeous and sexy Claire Dennison is the successful manager of the advertisement agency Image Engine and married and in love with the middle-aged psychologist Jonathan Dennison. Their life is perfect but Jonathan is not good in bed, frustrating Claire's desires. When a colleague suggests Claire to fantasize with Jonathan to bring passion to their relationship and have kinky sex with her husband, she pretends to be a sexy Italian but Jonathan does not participate in the game, and Claire asks him "to play the Italian lover Roberto" in the future. When Claire travels in a job assignment, she sees Jonathan fashionably dressed and wearing a different hair style in the hotel lobby and she drags him to her room and has kinky sex with him. Then they schedule through e-mail a next encounter in New York; in the morning, Jonathan calls Claire in the cell phone and she realizes that the man on her bed is a complete stranger. Sooner the man stalks Claire and introduces himself to her as Simon P
Director(s): Charles T. Kanganis
Production: Sony Pictures Home Entertainment
 
IMDB:
4.9
R
Year:
2008
101 min
136 Views


out of house and home.

- You behave yourself. Later.

- All right, honey, yes,

- I'll call you real soon.

- Okay.

- Okay?

- Good night.

Good night.

- Thank you.

- All right, see you later.

Sorry.

Yeah, you know, what can you do? I mean,

- you've been busy, right?

- It's no excuse.

I know, I know.

Next year, I'll be busy,

and I'll forget it, all right?

So I'm gonna go to bed.

- I'll be right up.

- I've cleaned up everything else.

- It's all good.

- Of course.

- Well, good night.

- All right, good night.

All right. I'll be asleep.

Simon Phillips.

We haven't officially met, but well,

I'd like to take this occasion to...

- Night, CD.

- See you tomorrow.

Hi. Simon Phillips.

We haven't officially met,

but I'd like to take this occasion

to really get to know you.

- Claire Dennison.

- Pleasure.

- Mrs. Claire Dennison.

- Yeah. I know.

I read the e-mail.

I mean, it's very well written,

very well composed, but yeah?

What happened to the spontaneous Claire?

I like the spontaneous Claire.

You know, you're not answering my e-mails

or my phone calls,

so I figure I'll come over, I'll protect you

from the rain, I'll take you out

- for a little dinner, a little wine.

- I can't.

Some closure.

Come on. Well, just one drink then.

You've got time for one drink.

I know you do.

- Simon, I can't do this.

- I know you've got time for one drink.

- I need a little clarity, here.

- What are you doing here?

Claire, let's just have the drink,

and then I'll go away. Yeah.

- You'll go away?

- Just like that.

You promise?

- All right, one drink.

- Great.

- You look beautiful.

- Thanks.

- Beautiful.

- Just follow me, okay?

All right.

- How are you, tonight?

- Great.

Tonight's special, we have the rack of lamb,

and my personal favorite,

the steamed bass.

It's a cassoulet of white beans...

- Okay, great.

...vegetables...

- Nice.

...and basil.

- Sorry, we're not eating.

- That sounds great, doesn't it?

- We're not eating.

- Sure.

I'm just trying to understand, Claire.

I mean, you moved so fast.

Like, one minute you're in,

the next minute you're out.

I've never done this before.

Okay, that's a good thing.

It makes you a decent human being.

You got any kids?

You've gotta take my feelings

into consideration in all of this, Claire.

I understand your feelings, okay? I'm sorry.

But I love my husband.

And that's good. That's a very good thing,

because I'm not saying

you shouldn't love your husband,

but there's also my feelings for you

because I feel for you.

- I have feelings for you.

- You can't.

Did you feel something for me?

Because we had something real there.

You told me, you know, everything.

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