Impulse

Synopsis: The gorgeous and sexy Claire Dennison is the successful manager of the advertisement agency Image Engine and married and in love with the middle-aged psychologist Jonathan Dennison. Their life is perfect but Jonathan is not good in bed, frustrating Claire's desires. When a colleague suggests Claire to fantasize with Jonathan to bring passion to their relationship and have kinky sex with her husband, she pretends to be a sexy Italian but Jonathan does not participate in the game, and Claire asks him "to play the Italian lover Roberto" in the future. When Claire travels in a job assignment, she sees Jonathan fashionably dressed and wearing a different hair style in the hotel lobby and she drags him to her room and has kinky sex with him. Then they schedule through e-mail a next encounter in New York; in the morning, Jonathan calls Claire in the cell phone and she realizes that the man on her bed is a complete stranger. Sooner the man stalks Claire and introduces himself to her as Simon P
Director(s): Charles T. Kanganis
Production: Sony Pictures Home Entertainment
 
IMDB:
4.9
R
Year:
2008
101 min
129 Views


.

Bugger, bugger, bugger!

Somebody shoot that sitar player now!

I don't care how beautiful

your tiny buns are,

you all look like cows in my lens!

Somebody get me an art director

who's not f***ing color blind.

We are selling coffee.

Just like you do with your cigarettes

here in America.

We want to make sure we reach

ten and twelve-year-olds. Our future buyers.

Future buyers.

We were promised

the campaign would imitate GOT MILK?

But so far we've spent three million yen

in two days and what do we have?

Where are the pictures?

Where are the pictures?

I see camera. I see photographer.

I see models.

I don't see coffee. I don't see pictures.

I don't see pictures.

With all due respect,

what's happening out there

is way beyond our comprehension.

It's genius.

If all you want is pictures, take them.

They're yours. They're temps.

Take them back to Japan.

Put them on every bus

and every billboard that you can find.

If you're not happy with

what I'm doing here,

I'll shut down production immediately.

I can't say that.

Because of you.

You.

He just walked away.

- Coke?

- No.

Drinking.

- Go away!

- It's Claire.

Come in.

It's horrible out there, CD.

I can't find the right angle.

The lights are too hot, they're too cold.

I'm not feeling it. I'm not feeling anything.

Last week I was in Times Square

and one billboard caught my eye.

- Is it still there?

- The week before I went to Paris.

Now, that was perfection, CD.

The lines, the colors.

I asked for you. No, I demanded you.

Now sure, you may be a pain in the ass

and a drunk.

And you usually try to kill yourself

one or two times during our shoots.

- I know.

- But in the end,

brilliance.

I'm back! I love you all.

Harry, get me a nice crescent moon

across the bed.

Where's my favorite production designer?

I need some caramel-colored sheets here.

Let's make some magic, loveys.

Yeah? All right.

It's blurry.

Thinking.

Like

the world isn't real.

The only thing that is real

is what I want.

I can't stop it. No.

Whatever I do, it just... It just goes and goes

and goes and goes.

What's the point, you know?

Everything's a f***ing lie anyway.

It's f***ing pointless.

- Doc.

- Hello, Hector.

Still don't understand why you don't have

a big ass practice up in some penthouse.

You know, rich folks

pay you a lot more than the state.

- Yeah.

- Give a holler if you need a hand.

- Okay.

- Rachel's in a...

- Hell of a mood today.

- That's right.

- Thanks.

- You know the drill.

Okay.

I am taking my medication.

I am taking my medication. Look at me.

I'm taking my medication.

You just tell me what I have to do

to get out of here.

If you were locked in this little room,

you'd be crazy, too.

You'd be crazy, too. Anybody would.

I don't belong in here.

I don't belong here.

- What did they think?

- They're thrilled.

And that's just off the temps.

- What do you think?

- Brilliant. Bloody brilliant!

- Let's celebrate.

- I have more work to do.

And then I need to go home

and see my husband.

Back home to that husband of yours?

Come on, just one little drink

- with your Uncle Elliott.

- Well, you celebrate for both of us.

- Or how about a dip?

- Don't you dare! See?

- My husband knows you're harassing me.

- How do you know it's him?

Special ring tone. It's our wedding song.

That's so f***ing sweet!

I think I lost a tooth.

I owe you one.

Hey, honey.

You just saved my new pair of shoes.

Well, I guess it went well as usual, then.

It was touch and go around noon,

you know,

but the twinkling lights of LA

made it all worthwhile.

That's great!

Do you want anything special tonight

for dinner?

Surprise me.

Let's see,

I found this new recipe for sea bass

- and I thought maybe I...

- I said surprise me.

- Okay, all right.

- I love you.

- Hey, you talking to me?

- You and only you.

I... Hello, Claire?

Claire...

- Thanks guys.

- Come on, girlfriend.

- One glass before you head out.

- To a great shoot.

So I take it no little pink-colored sticks yet?

No.

- And it's blue you want.

- It's been a year?

Over a year.

I need some beautiful women

to come and save me!

I'm drowning!

What's going on?

It's just tough, you know?

Trying to have kids.

It's difficult in bed,

just fertility tests and ovulation kits.

You know, it just becomes one lifeless act

to have children. It's hard.

You just need a little spice, girl.

Turn up the heat a little.

Yeah?

Things get boring with my wife and I.

We've been together since college.

When I sense some lazy action...

Cher.

- Cher?

- Or Jake Gyllenhaal from Brokebaak.

I'm telling you, works every time.

You think?

I know.

Who's that?

Coming.

Who is it, anyway? Yes? Yes?

I didn't know it was Halloween.

I didn't think

that was for a few months, still.

Come on in, come on in.

I've got to get some stuff off the...

What are you doing, Claire?

- Claire, what are you doing?

- It's Lucia.

Lucia?

Jonathan's got some food on the...

I've gotta get the vegetables... All right.

- Sit down.

- All right.

Well, the...

I can smell the food is...

Maybe I should close the blinds

so the neighbors can't see.

Maybe we should charge them.

Claire, maybe we should go upstairs.

Maybe I should charge you.

Maybe I should pay, but...

Claire, what are you doing? Oh, Claire...

Claire's not here.

- I've gotta go deal with the rice.

Rate this script:0.0 / 0 votes

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Impulse" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/impulse_10686>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Impulse

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.