I Shot Jesse James Page #4

Synopsis: While the law hunts him, Jesse James lives quietly in a rented house on the corner of Lafayette and Twenty-first street in St. Joseph, Missouri, under the alias of Tom Howard. His wife Zee begs him to end his association with the Ford brothers. Before they can leave on a "last" bank holdup, Bob learns that his childhood sweetheart, Cynthy Waters, now an actress, is in St. Joe and he brushes aside all caution to see her. Cynthy is beginning to realize that she is a liability to her manager, Harry Kane, because she will not leave Missouri. Meanwhile, John Kelley has come into her life. She pleads with Bob to turn honest. Cynthy tries to get a pardon for Bob, but the best offer she can get is for a 20-year stretch in prison. Then, the Governor offers amnesty and a $10,000 reward to any member of the James gang betraying Jesse. When his chance comes (April 3, 1882)Bob shoots Jesse in the back. He gets the amnesty but the reward is cut to $500. He also loses the love and respect of Cynthy,
Director(s): Samuel Fuller
Production: Criterion Collection
 
IMDB:
6.9
Rotten Tomatoes:
78%
Year:
1949
81 min
52 Views


The love I had for you was -

No, it ain't that.

Something else has turned you from me.

I ain't a murderer.

So there's gotta be a reason.

Kelley! That's who it is! Kelley!

You're talkin' crazy.

What was he doin' here when I came in?

Did you see him much

when I was in jail?

- Stop it!

- I knew there had to be a reason.

I knew.

Bob, you're wrong about Kelley!

He's got nothin'to do with us!

Come in.

You've got to leave St. Joe at once -

right away.

- I have to what?

- Bob Ford's gonna kill you.

Yeah? Why?

Because he thinks we're in love.

- Oh, he does, huh?

- Yes.

- How does he know?

- There's no time to waste. You've got to leave.

Is that, uh - Is that an order?

Oh, it's a fact that'll save your life.

- Or, uh, his?

- Oh, please, Mr. Kelley.

Just a minute, Miss Waters.

We, uh, hardly know each other. Up to now -

- There's no time to - - You're not

giving me any chance to get to know ya.

You barge in here

and tell me I have to run away...

just because that hotheaded Ford

says we're lovers.

- Don't make sense.

- His guns do.

Yeah. That does give him quite an edge.

- He's dangerous.

- Why?

Because he killed his best friend?

Look, I'm telling you to go

because I don't want any more bloodshed.

- He's jealous and -

- Was, uh, JesseJames in love with you too?

- It was for the amnesty.

- And not the reward.

- He wanted to be free to marry me.

- Look. We're wasting time.

He's on his way up here now

looking for you.

I don't think he'll shoot

unless I turn my back.

He killed JesseJames because of me.

He didn't want money.

He wanted me.

Just as if I pulled that trigger myself.

And now he thinks we're lovers.

Oh, don't you see, Mr. Kelley?

I don't want any more murders because of me.

Please help me.

I'm sorry. I didn't understand.

Then you'll go at once? Right now?

Do you love him?

Yes.

I don't believe you.

You couldn't love him.

I don't like what I'm doing, but...

if it's what you want,

it's good enough for me.

Come on.

Eight.

- Ten.

- All right.

There goes another four bits.

So you really know

the whole clan, hmm?

All of them. The mother of the Dalton boys

was Adelaide Younger-

half sister of the Younger brothers,

cousins of theJames boys.

Six.

Nine.

- So they're all kind of related.

- Just one big family.

Cole and Jim

and Bob and John Younger and...

Grat and Emmett Dalton

and Frank and Jess...

and Jim Reed and Belle Starr

and their son.

Four.

Eight.

You're just having a run of bad luck.

Yeah. Uh...

would you mind letting me

look at that. 45 now?

You know...

this gun'll probably end up

in a museum someday.

Not while I'm alive to tote it.

Uh, curtain'll go up at the usual time.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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