I Shot Jesse James Page #3

Synopsis: While the law hunts him, Jesse James lives quietly in a rented house on the corner of Lafayette and Twenty-first street in St. Joseph, Missouri, under the alias of Tom Howard. His wife Zee begs him to end his association with the Ford brothers. Before they can leave on a "last" bank holdup, Bob learns that his childhood sweetheart, Cynthy Waters, now an actress, is in St. Joe and he brushes aside all caution to see her. Cynthy is beginning to realize that she is a liability to her manager, Harry Kane, because she will not leave Missouri. Meanwhile, John Kelley has come into her life. She pleads with Bob to turn honest. Cynthy tries to get a pardon for Bob, but the best offer she can get is for a 20-year stretch in prison. Then, the Governor offers amnesty and a $10,000 reward to any member of the James gang betraying Jesse. When his chance comes (April 3, 1882)Bob shoots Jesse in the back. He gets the amnesty but the reward is cut to $500. He also loses the love and respect of Cynthy,
Director(s): Samuel Fuller
Production: Criterion Collection
 
IMDB:
6.9
Rotten Tomatoes:
78%
Year:
1949
81 min
49 Views


Think I'll wait until later

this afternoon and go in town.

It's an awful hot day.

Feel kind of naked without my weapons.

No, sir.

Nothin' like putterin' around a home.

There's no 10,000.

The governor didn't conspire with you

to assassinateJesse.

The reward was $5,000

for his apprehension.

Five for conviction.

All you get is 500.

Bob, you ought to see the way folks

look at me when I walk down the street.

You ought to see 'em, Bob.

- That $10,000?

- 500.

- What happened to the rest of it?

- What's the difference?

I got enough to buy Cynthy a ring -

a diamond ring. A great big one.

- You can be best man.

- Oh, not me.

I'm not hanging around waiting

for a ball from FrankJames's gun...

or buckshot from some of the folks

what don't like what happened toJess.

- Scared?

- He'll get you, Bob.

He'll get both of us.

I'm ridin' out.

Stake me, Bob?

- Here's a hundred.

- Thanks, Bob.

- Watch yourself.

- Yeah.

I still got enough to buy Cynthy

a big diamond ring.

Miss Waters.

Miss Waters.

I beg your pardon.

It's Kelley.

John Kelley.

I, uh, was talking to the manager,

Mr. Kane.

He told me you changed your mind.

You're not going to leave the show.

I'm glad to hear it.

There's something troubling you,

Miss Waters. Uh, can't I help?

I'm, uh...

living at the North Hotel

if there's anything I can do to help.

John Kelley, North Hotel.

Cynthy.

Cynthy.

- What's the matter?

- How could you have done it?

Jesse, your best friend.

How, Bob? How?

- I didn't do it for the reward.

- I know, I know, I know!

Then why are you looking at me

like I'm poison?

Can't you understand what's happened?

You got me kind of all mixed up.

When you pulled that trigger,

all the love I had for you -

- But I done it for you.

- Don't say that! Don't ever say that!

- But it's true, Cynthy.

- Can't you see how wrong it was?

- It was legal.

- It was murder.

Don't look at it that way.

You ought to be proud of me.

The governor's grateful. The law says it's legal.

Don't look at it no other way.

What other way can I look at it?

Cynthia.

I ain't on the run no more.

I can walk down the street, and nobody-

not even the whole militia - can bother me.

That's what the shooting means to you?

What it means to me -

It means I'm a free man.

Ain't that what you wanted, Cynthy?

Ain't it?

'Tweren't easy shootin'Jess.

It weren't easy.

But there's nothin'

I wouldn't do to have you.

Nothin'.

Your weddin' ring.

I can't.

- Cynthy!

- You're hurting me.

What do you think you're doing to me?

Listen, Cynthy.

When I killed Jess, I had a cause.

If you turn against me, I got no reason.

The way you did it, Bob -

Oh, can't you understand?

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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    "I Shot Jesse James" Scripts.com. STANDS4 LLC, 2024. Web. 6 May 2024. <https://www.scripts.com/script/i_shot_jesse_james_10521>.

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