Happy-Go-Lucky Page #3

Synopsis: Poppy Cross is happy-go-lucky. At 30, she lives in Camden: cheeky, playful, frank while funny, and talkative to strangers. She's a conscientious and exuberant primary-school teacher, flatmates with Zoe, her long-time friend; she's close to one sister, and not so close to another. In this slice of life story, we watch her take driving lessons from Scott, a dour and tightly-wound instructor, take classes in flamenco dance from a fiery Spaniard, encounter a tramp in the night, and sort out a student's aggressive behavior with a social worker's help. Along the way, we wonder if her open attitude puts her at risk of misunderstanding or worse. What is the root of happiness?
Genre: Comedy, Drama, Romance
Director(s): Mike Leigh
Production: Miramax Films
  Nominated for 1 Oscar. Another 39 wins & 59 nominations.
 
IMDB:
7.0
Metacritic:
84
Rotten Tomatoes:
92%
R
Year:
2008
118 min
$3,494,485
Website
502 Views


You'll give her a complex, she's 7.

All of a sudden Mum doesn't want to get|involved, for the first time in her life.

Then I'm just leaving the house|and my two aunts arrive from Dollis Hill.

Oh, no.

So we get the Spanish Inquisition.|"Tash, you got a boyfriend?

Are you getting married soon? Why don't you|give your mother another grandchild?

You know she nearly 60. She getting old."

Aargh!

I was, like, "I haven't got a boyfriend.|I won't be getting married soon,

and, no, I won't be investing|in a mortgage in the near future,

thank you very much."

- Then I just closed the door and left.|- End of.

- You cooking?|- Yeah, are you cooking?

I'm cooking with gas. What we having?

- Food.|- That makes a change.

- Are you hungry?|- I'm ravishing.

- Aren't you just.|- Thank you.

How did it go today?

What, with my flying flock of feathered friends?

Good, they loved it. Flapping away they were.

- Were they?|- Yeah, bless them.

I had to nip it in the bud with my lot|before they flew out the window.

It was OK, though, was it?

Oh, yeah, I played them Stravinsky after lunch|just to calm them down.

- What did you play?|- The Rite Of Spring.

I booked my first driving lesson.

- Did you?|- Yeah.

- When is it?|- 12 o'clock, Saturday.

Excellent, well done you.

- I'll set the table.|- Yeah, it's nearly ready.

Yeah, I know.

I love the end of the week.|- You don't say.

- I do, actually.|- Do you?

- Yeah.|- Oh.

You know I take this dance class|on a Friday afternoon, the golden time.

I swear to God, half the kids are bigger than me.

- That's not hard, though, is it, eh, titch?|- No, I don't mean taller, I mean wider.

You want to be careful, you know?

You don't want the kids jumping about|expressing themselves. A bit dangerous.

Yeah, you do all that on Friday,

but then they spend the weekend indoors,|glued to their Nintendo DS.

Totally. A couple of weeks ago|I came in Monday -

I told Poppy - sat the kids down for carpet time,

asked them what they did over the weekend.

Gorgeous weather.|Not one of them had been out.

They'd all been sitting at home|on their PlayStations.

- You couldn't get them up off the carpet.|- When they got up, they were wheezing.

- That's pollution for you.|- We always used to go to the park.

- A lot of them don't have parks to go to.|- Yeah, exactly.

But you don't need a park to go for a walk.

If Mum and Dad don't go out, the kids don't.

Parents are too frightened|to let their kids play out.

Even a bit of green by the estate,|they don't let them play there.

But it's hard for a lot of mums and dads, isn't it?

They've had a hell of a week.|They're under pressure and stress.

- Tell me about it.|- They get back from work, if they work...

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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