Goodbye First Love Page #4

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Isn't only that great?

Sh*t.

- I was going to warn you.

No.

Why not?

Therefore.

I don't feel for it.

Stop it, please, I don't like it.

- That's ridiculous.

You can sleep here if you want.

But don't touch me.

Is everybody here?

Alexandre, would you close the door?

Today I'd like to talk about

the aspects of a certain thing.

A thing that we call gleam.

What aspects would this have it be?

In fact, what is gleam?

A very faint light.

- Where can it come from?

From a candle.

- What else?

A glimpse.

A reflection?

- Something that glistens.

We can say a gleam of light.

- Yes.

Of twilight or dawn.

We can talk about a gleam of dawn.

Does it have a positive

or negative association?

Gleam...

Is that something we want to see?

How would you think about it,

which form, kind of image?

Can't we say it's what

remains of light?

What escapes from the dark.

Well.

In most cases, a gleam involves...

both light and darkness.

What do you think of it?

This weekend I read

a text by Tadao Ando...

in which he said that in

houses are no longer...

spaces to be found

where the light lives...

or where it is born.

Think about it that.

Because that's what's missing

in your concepts, in my opinion.

Light is too obvious for you.

Something's missing:

This nuance that makes the

difference. We could call it path.

You approach the light too...

literally, mechanically. When you

could also express doubt with it.

Start all over again.

Consider the building from the inside.

From the darkness, as if you

start with a dark compound.

Now everybody says a word

which he associates with darkness.

Don't think and don't try

to be too original.

Night.

- Void.

Secret.

- Death.

For me all these words

are important in architecture.

But I think of something

that is related to all of them.

The past?

- Almost.

Memory.

BERLIN:

They asked again for

an additional design.

We sent it last week.

Haven't they paid the first one yet?

Excuse me.

Laura, can you take it?

About half is invisible.

It's a kind of iceberg.

Imagine this grid as the portrayal

of an ideal city.

Very organized, and

perfectly reflecting the culture.

"They are modestly, but functionally

absorbing the world of imagery."

DENMARK:

What I wanted to say:

I like your new design very much.

In your work is courage and wisdom

visible that's rare for your age.

Why did you choose architecture?

I don't know.

I wanted something that

has to do with environment.

I think I know what you mean.

It's the only thing

I can really go for.

Why did you become an architect?

- It was never the intention.

I studied clarinet. But I got

problems and had to quit.

Do you regret?

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