Get Him to the Greek Page #3

Synopsis: An ambitious executive at a record company, Aaron Green (Jonah Hill) gets what looks like an easy assignment: He must escort British rock legend Aldous Snow (Russell Brand) to L.A.'s Greek Theatre for the first stop on a lucrative comeback-concert tour. Snow, however, has different plans. Learning his true love is in California, the rocker vows to win her back before starting the tour, forcing Aaron to pull out all the stops to get Snow on stage in time.
Production: Universal Pictures
  14 nominations.
 
IMDB:
6.4
Metacritic:
65
Rotten Tomatoes:
72%
R
Year:
2010
109 min
$60,923,325
Website
2,656 Views


INT. AARON AND DAPHNE’S LOFT APARTMENT

Aaron and Daphne are cleaning up the meal.

*

*

9.

DAPHNE:

What if my dad’s right? What if I

have no talent?

AARON:

First of all, he said you hadtalent. He just said there’s notenough customers. Which there are,

by the way. Forget I mentioned it.

DAPHNE:

Maybe this is all just sh*t shitshit and sh*t. I just want tobreak it all and start over again.

AARON:

Are you kidding? This is so super

pretty.

REVEAL they’re discussing a sculpture of a bloody, screamingwoman holding a bloody, screaming baby. It’s more terrifyingthan pretty. She definitely has talent, a dark weird talent.

AARON (CONT'D)

Did you use glaze?

DAPHNE:

Yeah. He’s right. My career’sgoing nowhere. I suck.

AARON:

Let’s make a game plan. Rent a

gallery downtown. Advertise the

show in LA Weekly. Maybe do someguerrilla marketing stuff. We’ll

just get this done.

Aaron’s relentless positivity is starting to grate.

DAPHNE:

The point isn’t the show, Aaron.

It’s not that easy. Trying to dosomething creative is justdifferent than what you do. It’s

not a linear process. No offense.

(then)

I’m sorry. I know I’m beingdifficult and a b*tch about all

this stuff.

AARON:

You’re not being a b*tch.

10.

DAPHNE:

I was being a b*tch.

mad at me.

You can be

AARON:

I’m not mad at you.

DAPHNE:

I love that you’re nice. You’re

the first nice guy I’ve ever datedand I love that about you. But

when I’m being a b*tch and youdon’t say I’m being a b*tch you’rekeeping a part of yourself closedoff from me. Feel free to be

honest and tell me when you’reannoyed at me.

AARON:

I’m being totally honest. That’s

what I love about us. I can alwaysbe honest. You couldn’t ever annoy

me. You’re too perfect.

*

*

*

Daphne smiles at this. *

AARON (CONT'D)

And as for getting your career offthe ground, just make a list ofwhat needs doing. That’s how I getstuff done.

*

*

Daphne takes a deep breath. *

DAPHNE:

Cool. I’ll try that.

make a list.

I’ll just

*

*

*

Daphne leaves the room. Aaron smiles after her. *

INT. AARON AND DAPHNE’S LOFT APARTMENT - MORNING

Aaron and Daphne are asleep. The radio alarm goes off.

six am. Aaron sits up and smiles.

It’s

MUSIC CUE:
Talking Heads “Love - Building on Fire.”

MORNING MONTAGE OF AARON GETTING READY TO GO TO WORK

-- Aaron’s singing to Talking Heads in the shower.

-- Aaron flips on the coffee.

11.

-- Daphne lays out Aaron’s clothes on the bed. Aaron puts onhis clothes and looks at them in the mirror. She gives him athumbs up.

-- Aaron peruses the LA Times, Variety, Billboard, andseveral other music magazines.

Rate this script:4.0 / 1 vote

Nicholas Stoller

Nicholas Stoller (born 19 March 1976) is a British-American filmmaker. He is known mainly for directing the 2008 comedy Forgetting Sarah Marshall, its 2010 spin-off/sequel, Get Him to the Greek, Neighbors (2014), its 2016 sequel Neighbors 2: Sorority Rising, co-writing and executive producing The Muppets and Muppets Most Wanted, and writing and directing Storks (2016). more…

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Submitted by acronimous on February 25, 2018

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