For the Boys Page #5

Synopsis: With the help of the singer and dancer Dixie Leonhard US-Entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II. Becoming a perfect team they tour from North Africa to the Pacific to act for "the boys". Later they continue their work but when the author Silver gets involved into McCarthy's campaign and is being fired by Eddie, Dixie turns away from him, too.
Genre: Comedy, Drama, Music
Director(s): Mark Rydell
Production: Twentieth Century Fox Home Entertainment
  Nominated for 1 Oscar. Another 1 win & 2 nominations.
 
IMDB:
6.3
Rotten Tomatoes:
43%
R
Year:
1991
138 min
302 Views


- No act, huh?

You two are gonna be an industry.

- She sings pretty good. She does funny.

- Yeah.

- Funny is money.

- Yeah.

- Welcome to jolly old life as usual.

- Come on, Wally, let's go get stupid.

- Dixie, honey, I wanna buy you a drink.

- Go with them. I'll be with you in a minute.

We'll be under the bar.

Wake us for the armistice.

Hello, Reg. That's the Dixie Leonard

I was telling you about.

Listen, Eddie.

Me and Dixie just had a long talk.

She feels terrible about what happened.

I think we should just

clean the slate and start over.

Why?

Did you tell him?

- You tell him.

- Tell me what?

The two of you are gonna be bigger

than Burns and Allen.

Bigger than Hope and Crosby.

Bigger than all of 'em.

I got all these advisors. Who's the guy that

goes out and gets the laughs every night?

It's you, Eddie. You are the one.

And that's why

I'm gonna go bring her over.

I wish you wouldn't do that.

Want some aspirin?

- Come on.

- No, I don't think so.

He feels terrible about what happened.

He just needs you to break the ice.

- Go on, Dixie.

- Go ahead.

He's disconsolate. Come on.

What would I have to give you

for one little kiss?

Chloroform.

Eddie, you remember Dixie Leonard.

Yeah, I remember. So...

So...

You have something to say?

Yeah. I don't like

the way you talk to my uncle.

What is your problem, lady?

My problem, Eddie,

is you can't walk all over people.

It makes a bad impression.

- I guess that's what's held me back.

- That's what's held you back as a person.

Oh, God. Right through the heart.

I mean, if I had one.

That's enough. Sit down,

have a drink, for Christ's sakes.

No, I'm gonna get some sleep.

I'm sorry it didn't work out.

Dixie.

I give up. What do I have to do?

You could try saying you're sorry.

Apologise. Go fix it.

Let us pray.

- Two-bit Napoleon. I bet you he wears lifts.

- You can't take him personally.

- Him and Hitler have the same agent.

- Good line.

- He's just like all the rest of them.

- Give us a song, Eddie.

I apologise.

- Just relax and follow my lead.

- Yeah, right off a cliff.

You just let me teach you

and nothing'll stop us.

We'll be bigger than Burns and Allen,

bigger than Hope and Crosby.

We'll be bigger than all of them.

OK.

- Oh, my God. What's that?

- It's an air raid.

- What do we do?

- Do? Nothing can happen to you.

You're with Eddie Sparks.

And he was right,

You could feel it, He was invincible,

Nothing could happen to you

if you were with Eddie Sparks.

He just had magic.

And how they loved him, those boys.

Airfields,

camps,

hospitals.

He was something.

Generous...

stingy...

infuriating...

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Marshall Brickman

Marshall Brickman (born August 25, 1939) is an American screenwriter and director, best known for his collaborations with Woody Allen. He is the co-recipient of the 1977 Academy Award for Best Original Screenplay for Annie Hall. He is also known for playing the banjo with Eric Weissberg in the 1960s, and for a series of comical parodies published in The New Yorker. more…

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Submitted on August 05, 2018

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