Footsteps in the Fog Page #3

Synopsis: To his Victorian London friends, Stephen Lowry is a heartbroken widower. Only his housemaid Lily knows that far from dying of gastroenteritis his wife was slowly poisoned by her husband - information she is happy to use to improve her position in the household and to make sure she stays close to Stephen. As his own prospects improve with a business partnership and a romance more of his own class, Stephen decides that Lily must go. Unfortunately for him, his first attempt gives her even more of a hold over him.
Genre: Drama, Thriller
Director(s): Arthur Lubin
Production: Columbia Pictures
  1 win.
 
IMDB:
7.0
APPROVED
Year:
1955
90 min
70 Views


- Tomorrow, if it suits you.

- Just as you please. The sooner, the better.

Ah, Burke!

Back on night duty again?

- Yes, sir, and very glad I am, too.

- Doesn't the wife mind?

No, it gives me some time at home

and a chance to see something of the nippers.

Oh, it sounds like a happy family.

I must confess I'm a bit envious.

I er... beg your pardon, sir, but... I'd like to take

the liberty of extending my condolences.

- It was very sad indeed, sir.

- Thank you, Burke.

You know, I don't know what it would be like

to come home and not find the missus there.

I can tell you.

It's like always being in the dark.

- Good night, Burke.

- Good night, sir.

Don't ever use her perfume.

- Morning, Wells.

- Why, Mr Macdonald, I didn't recognise you!

- Miss Elizabeth at home?

- I'm waiting for her.

Pardon me, sir. Aren't you afraid of... this thing?

Ah! Here she is.

- David, what are you doing here?

- Competing with Wells.

He's offering ancient transport.

I'm offering modern. You choose.

David! Oh, David, how lovely! Is it yours?

Yes. It's not exactly new, but it goes jolly fast.

12 miles an hour!

Oh, how wonderful!

Where are you off to?

Well, I was going shopping

and then to pick up Father at the warehouse.

I have a better idea.

Let's go for a spin in the country.

I should love to!

- Wells, you'd better call for Father.

- All right, miss.

- You'll need this for travelling at high speed.

- Thank you.

- How long have you been driving this thing?

- All of half an hour.

Oh, David, this is great fun!

Have you noticed

how I've steered away from all the ruts?

I couldn't do a better job myself.

Certainly couldn't look so beautiful doing it.

Oh, David, look, look!

There's the road ahead!

Brake like this.

Before you do any more driving,

I suggest you pay me a retainer.

From what I've just seen, you're likely to need

the services of a promising young barrister.

- Consider yourself retained.

- May I present you with a receipt?

- That wasn't very fair.

- Why not?

Because... you're in love with Stephen Lowry.

How did you know?

I've seen you both together.

Beth, don't you realise? Only a few weeks ago,

you saw him standing in front of his wife's grave.

- You stood there yourself!

- Oh, I know. I know it's wrong.

- It's not only wrong, it's...

- But I've said nothing. Nor has he.

Does one have to say?

David, you are right and...

...I'm very ashamed of myself.

I've told myself all these things

over and over again.

Whenever I look at him, I make myself look

at that mourning band on his arm,

hoping it'll create a barrier between us.

But it's no use. Nothing is any use.

I find myself so deeply attracted to him.

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Dorothy Davenport

Fannie Dorothy Davenport, Dorothy Davenport (March 13, 1895 – October 12, 1977) was an American actress, screenwriter, film director and producer. Davenport's family was heavily involved in the theater. Her father Harry Davenport was a comedian and her mother Alice Davenport was a well-known actress. At a young age she began working in the fledgling film industry, and subsequently moved to California to work at Nestor Film Company. Davenport was a Hollywood star at age 17. While working at Nestor, Davenport met her future husband, actor Wallace Reid whom she married in 1913. After the birth of her son in 1917, Davenport began to act less; however, she again gained notoriety when her husband Wallace Reid's career took off. Reid soon came under the spotlight as reports that he was a severely ill drug addict began to surface. Subsequently, Davenport became the source of information about her husband's condition, and after his death in January 1923 she co-produced Human Wreckage (1923). The film explores the dangers of narcotics addiction, and Davenport played the role of a drug addict's wife. Billed as "Mrs. Wallace Reid", she followed its success with other social-conscience films such as Broken Laws (1924) and The Red Kimono (1925) . After the release of The Red Kimono, California socialite Gabrielle Darley sued Davenport for 50,00 for using her name and life story without approval. As her on-screen roles continued to diminish, she transitioned to directing, producing and screenwriting. Davenport's successful transition is often attributed to her range of positions in life, including mother, widow, Hollywood producer and social activist.While Davenport's company dissolved in the late 1920s, she continued to take on smaller writing and directing roles. In 1929 Davenport directed Linda a film about a woman who gives up her happiness for the sake of men and social expectations. Davenport directed her last film in 1934; however, she continued in the film industry in other roles until her last known credit in 1956 as dialogue supervisor of The First Traveling Saleslady. Davenport died in October 1977 at the age of 82. more…

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