Footsteps in the Fog Page #2

Synopsis: To his Victorian London friends, Stephen Lowry is a heartbroken widower. Only his housemaid Lily knows that far from dying of gastroenteritis his wife was slowly poisoned by her husband - information she is happy to use to improve her position in the household and to make sure she stays close to Stephen. As his own prospects improve with a business partnership and a romance more of his own class, Stephen decides that Lily must go. Unfortunately for him, his first attempt gives her even more of a hold over him.
Genre: Drama, Thriller
Director(s): Arthur Lubin
Production: Columbia Pictures
  1 win.
 
IMDB:
7.0
APPROVED
Year:
1955
90 min
70 Views


So I've decided

to give the post of housekeeper to Lily.

Me? Take orders from that... that...

"Guttersnipe" is what you usually call me,

Mrs Parks.

And guttersnipe is what you are!

I'll not take orders from you, or the likes of you!

Same here.

- Now, you listen to me, both of you.

You'll do exactly as I say, or you'll get out!

Yes, sir. As you say, sir.

If you give satisfaction,

there's no reason why you shouldn't stay.

Your stick, sir?

This is the one for the evening.

I'll remember.

I never forget anything, sir.

I'm sure you don't.

I may be late. No-one need wait up for me.

Thank you, sir.

- Oh, Father and Stephen are still talking.

- Yes, they are.

Oh, I do hope they come

to some sort of an arrangement soon.

Poor Stephen!

He looks like a lost soul these days.

See here, young lady! Bachelors

can be lost souls, as well as widowers.

- Why not worry about poor David?

- You?

- Yes, me.

- Such an idea would never occur to me.

Besides, you've been very naughty.

- I can't think what I did.

- That's just it. You didn't do anything.

You just sat like a lump all the way

through dinner without saying a word.

You know, I don't think I should have ever

invited you to dinner with Stephen.

After all, it was his first evening to anyone's

house and I wanted it to be pleasant.

You were pleasant enough for both of us.

Come on, Beth.

We don't want to miss the overture.

I would like to wait a moment. Do you mind?

Thank you, sir.

Oh, Andrews, we'll have brandy in here.

- Very good, sir.

- Well, my dear, it's all settled.

Really, Father? Oh, how wonderful!

Aren't you going to congratulate Stephen?

- On what?

- On the new partnership.

From now on, it's to be Travers & Lowry.

- Congratulations.

- Thank you.

It really has been a blessing.

I've been so at loose ends,

not quite knowing

how to pick up the pattern again.

Don't try. It's better to make a new one.

Beth, er... We'll be late.

- I'm taking Elizabeth to the theatre.

- Gilbert and Sullivan.

- Good night, sir.

- Good night, my boy.

- Oh, I'm so pleased, Stephen!

- Are you?

Shall we go?

You know, there's another reason why I'm glad

you've decided to go in with me.

I'm not as young as I was, and I want someone

to have a firm rein on the business

- for Elizabeth's sake. She's all I have.

- What about young Macdonald?

My dear boy, he's a barrister,

not a businessman.

- Besides, nothing is settled between them yet.

- Oh, I thought it was.

- I thought he was becoming quite serious.

- Well, of course.

- They've grown up together. He's a fine lad.

- Oh, he's a splendid fellow.

Now, I think the first thing for you to do

is to make a good survey of the warehouse.

Rate this script:5.0 / 1 vote

Dorothy Davenport

Fannie Dorothy Davenport, Dorothy Davenport (March 13, 1895 – October 12, 1977) was an American actress, screenwriter, film director and producer. Davenport's family was heavily involved in the theater. Her father Harry Davenport was a comedian and her mother Alice Davenport was a well-known actress. At a young age she began working in the fledgling film industry, and subsequently moved to California to work at Nestor Film Company. Davenport was a Hollywood star at age 17. While working at Nestor, Davenport met her future husband, actor Wallace Reid whom she married in 1913. After the birth of her son in 1917, Davenport began to act less; however, she again gained notoriety when her husband Wallace Reid's career took off. Reid soon came under the spotlight as reports that he was a severely ill drug addict began to surface. Subsequently, Davenport became the source of information about her husband's condition, and after his death in January 1923 she co-produced Human Wreckage (1923). The film explores the dangers of narcotics addiction, and Davenport played the role of a drug addict's wife. Billed as "Mrs. Wallace Reid", she followed its success with other social-conscience films such as Broken Laws (1924) and The Red Kimono (1925) . After the release of The Red Kimono, California socialite Gabrielle Darley sued Davenport for 50,00 for using her name and life story without approval. As her on-screen roles continued to diminish, she transitioned to directing, producing and screenwriting. Davenport's successful transition is often attributed to her range of positions in life, including mother, widow, Hollywood producer and social activist.While Davenport's company dissolved in the late 1920s, she continued to take on smaller writing and directing roles. In 1929 Davenport directed Linda a film about a woman who gives up her happiness for the sake of men and social expectations. Davenport directed her last film in 1934; however, she continued in the film industry in other roles until her last known credit in 1956 as dialogue supervisor of The First Traveling Saleslady. Davenport died in October 1977 at the age of 82. more…

All Dorothy Davenport scripts | Dorothy Davenport Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Footsteps in the Fog" Scripts.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.scripts.com/script/footsteps_in_the_fog_8395>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Footsteps in the Fog

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.