Edge of Darkness Page #5

Synopsis: It's two years after the Nazi's invasion of Norway and in a small fishing village that is headquarters to 150 German soldiers, the 800 locals are stewing, waiting for a supply of arms so they can revolt. Leaders include Karen Stensgard, whose father is the town's doctor and not all that sure that an open revolt will accomplish much and whose brother has proven disloyal to Norway previously, and Gunnar Brogge, a fisherman who was planning to sail to England to fight but changed his mind on hearing of English arms being delivered. Although the Nazi's cruelty is evident, the townspeople bide their time, until one incident causes the stewpot to boil over.
Genre: Drama, War
Director(s): Lewis Milestone
Production: MGM/UA Home Entertainment Inc
 
IMDB:
7.2
APPROVED
Year:
1943
119 min
201 Views


until your mother got the letter.

I didn't send for him.

- Who did?

- Your uncle.

- Birds of a feather.

- Karen, Johann is your brother.

In Oslo, in 1940 when the Germans came,

he was one of the first...

- He didn't know what he was doing.

- He knew.

His whole world was crumbling.

He was bewildered.

I have seen men stood up against a wall

with the Germans.

They had more to lose than he did.

Wives, children.

Their world was crumbling too.

They weren't bewildered.

Karen, we are not all strong.

There are some of us that are weak.

- When he comes, what will you do?

- Villagers of Trollness are his countrymen.

- They will be his judges.

- They don't have to know.

Why must everything in the world

be either black or white?

That's the way the world is these days.

Johann may have changed. Men repent.

Why don't you wait and see for yourself?

Let your mother see him once more.

If he doesn't come home now,

she probably never will again.

Would it be better

if she were to find out?

We can keep that from her.

We've kept everything else.

Karen, let her dream come true.

There are so few dreams left that do.

Poor father.

- Poor father.

- There were good things in the old life.

Don't tear up everything by the roots.

Maybe, when this is over,

we'll all wanna pick where we left off.

Karen, please. Two years is a long time.

A man can change.

Let him stay here in peace. Let him feel

there is still a home to come to...

...that there is still a place

where people love each other.

Father, I say this for your sake

and for his sake.

If you can still stop him from coming,

do it.

- Father, promise me you'll try.

- All right, I'll try.

Why do you come to see me

in the middle of the day?

I'm a busy man.

I have troubles of my own.

Well, whatever it is, come on,

say it and get it over with.

Kaspar, why did you send for Johann?

Because I need him.

He should stay in Oslo

and finish his education.

Ha, why do you lie to yourself?

He hasn't been near a classroom

in almost two years.

That's a fact.

I'm a man who deals in facts.

If he comes here, there'll be trouble.

No trouble. Johann's a smart boy.

He understands the new order.

Write him. Tell him not to come home.

You will tell him to stay where he is,

to go back to school.

Tell you daughter it's too late.

He's on the boat. He'll be here Sunday.

I don't want you to get him mixed up.

Your daughter doesn't want me

to get him mixed up.

- Let him alone.

- Your daughter wants me to let him alone.

Anything happens,

I'll hold you responsible.

Why is Karen so worried

about his coming here?

This is a peaceful village.

Or maybe it isn't.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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