Crimson Gold Page #4

Synopsis: For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.
Genre: Drama, Thriller
Director(s): Jafar Panahi
Production: Wellspring Media
  4 wins & 2 nominations.
 
IMDB:
7.5
Metacritic:
81
Rotten Tomatoes:
86%
UNRATED
Year:
2003
95 min
Website
157 Views


- Excuse me...

- Yes?

- Where are you going?

- lnto this building.

- Which floor?

- 2nd. Let me go!

- You going to that party?

- What's wrong?

- We didn't go up.

- You look like the type.

- Sergeant!

- Let me go!

Let him go!

- Put her in the wagon.

- We didn't even go!

What a mess! Let her go!

- l don't want...

- Don't argue.

Move along, cooperate.

You're going to our little party.

- But we didn't even go up.

- Move it!

Get in!

- Go on, get her in there!

- This way, little lady!

Go on, hurry.

- Just let me go!

- Take care of this guy.

Move it!

l don't care about the 2nd Floor.

My delivery's on the 3rd.

So what?

So, they placed an order.

l have to deliver. They're hungry.

Don't worry about them.

Take care of yourself.

Exactly, this is about my job.

Just let me do my job.

Move your bike onto the sidewalk.

Just let me go.

Do what l said already.

How long do l have to wait?

Until the cows come home, if necessary.

Come out here!

Why, what's going on?

But we're married!

Let me explain.

Yeah, right! Who goes out with their wife?

That's a family get-together.

Not so loud. Go on... Go on...

Arash, do something!

l said move along!

Go on, move along.

How old are you?

Aren't you a little young to be a soldier?

Tell me, how old are you?

What do you want?

l'm looking for my daughter.

- Which floor?

- 2nd.

Wait here. She'll come down.

- What's going on?

- Nothing. Wait here.

But she's expecting me at midnight.

Do you have a mobile?

Can l call from there?

- Do you have a mobile?

- Yes.

Call her. She'll come down.

- What's wrong?

- Nothing. Call her.

Sergeant!

- What's wrong?

- Nothing.

You'll get it back later. Wait in the car.

Hurry up.

Excuse me...

Could l call the restaurant...

with the lady's mobile

to find out what l should do?

You can't call and you can't leave.

Don't crowd me. l need some air.

That's something...

Not only is he a chief,

but he makes miracles happen.

He asked for air. He got what he wanted.

What's going on up there?

l don't know.

They're dancing.

Yeah, dancing.

Only dancing?

Don't know.

Point your gun down.

l'm still young.

Why did they place you here?

They need me to stand watch.

They posted me here

so that no one escapes.

And if someone escapes?

l'll catch them.

You're a lightweight. How could you?

With my gun.

At least you're here for a reason.

l'm not having fun like them,

but l'm still stuck here.

That ever happened to you?

What?

Have fun.

What's fun?

Have you ever danced with girls?

No.

Look, they're going to stop that car.

What do you want?

l dropped two girls here earlier.

l'm here to pick them up.

- What name?

Rate this script:0.0 / 0 votes

Abbas Kiarostami

Abbas Kiarostami (Persian: عباس کیارستمی‎ [ʔæbˌbɒːs kijɒːɾostæˈmi] ( listen); 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–94), Close-Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. more…

All Abbas Kiarostami scripts | Abbas Kiarostami Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Crimson Gold" Scripts.com. STANDS4 LLC, 2024. Web. 17 May 2024. <https://www.scripts.com/script/crimson_gold_19344>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Crimson Gold

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.