Crimson Gold Page #3

Synopsis: For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.
Genre: Drama, Thriller
Director(s): Jafar Panahi
Production: Wellspring Media
  4 wins & 2 nominations.
 
IMDB:
7.5
Metacritic:
81
Rotten Tomatoes:
86%
UNRATED
Year:
2003
95 min
Website
157 Views


Keep moving!

He should be more reliable.

l have to call out ten times before he reacts.

He's always off in his own world.

l spend my time

calling out his name and number.

l know. You're right.

His medication slows him down.

lt's not his fault.

The doctor wants him to get better.

Number 33! Hussein Emadeddin!

Hey, where's that order?

See? No answer. He doesn't come.

lf there's a problem, l'll take care of it.

You know, he's a diamond.

l know everybody likes him.

Even the boss likes him.

He was offered...

a job in the kitchen or on reserve

if he has problems on the bike.

He didn't want to.

Yeah, he's a little claustrophobic.

He can't handle being inside four walls.

He likes the motorbike. He feels free.

He's more at ease.

He says it clears his head.

ln fact, he never wears a helmet.

l'm always reminding him.

lf something happens to him...

he won't have a head to clear.

OK, OK.

Better if you talk to him. He's sensitive.

- OK. l'll tell him.

- Thank you.

Hey... See you later.

Here.

This is for Vozara.

After, drop this off to Alvand.

Bye.

Number 15.

- Yes?

- Mr. Chayeste? l have your order.

The eIevator is broken. 4th FIoor.

- 4th?

- Yes.

Can't you come down? l have my bike...

Your bike wiII be fine.

- Open up, then.

- Enter.

Hello, thanks. Sorry about the elevator.

- What do l owe you?

- 18,500.

Just a moment...

That's 19,000. Keep the change.

ls that you, Mr. Chayeste?

Yes, it's me.

l'm Hussein.

Hussein?

ln Chalamche. At the front line.

Chalamche... Hussein...

Of course, in communications.

You've really changed.

l didn't recognize you.

lt's the cortisone. l hardly recognize myself.

How you've changed!

You, too. You've changed...

You were a real saint.

l thought you had gone to Heaven.

Your bike's out front?

You'd better go. Here...

- No.

- l insist. lt's a pleasure.

l'll be in touch. But l have to go now.

Bye.

Wait!

Who do you want?

Mr. lzadi.

- Which floor?

- 3rd.

Sit over there.

Park your bike in the corner.

- l have a delivery.

- Wait over there. l'm coming.

Sergeant, must we wait long?

Until your daughter comes down.

- When?

- Don't know. She's your daughter.

l beg you... l'm a mother. This is unbearable.

l told you to wait in your car!

l'm sorry, it's the last time.

She won't do it again.

Please...

Sit in the car.

What about the delivery guy?

He's got nothing to do with the party.

What about me?

The chief told you. Park your bike.

l have pizzas to deliver.

Watch your tone. You're not in charge.

l've got a job to do.

Go ask the chief.

Excuse me, l have deliveries to make.

What should l do?

What were you told?

Chief, a car is coming!

Hide behind the trees.

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Abbas Kiarostami

Abbas Kiarostami (Persian: عباس کیارستمی‎ [ʔæbˌbɒːs kijɒːɾostæˈmi] ( listen); 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–94), Close-Up (1990), Taste of Cherry (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us (1999). In his later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. more…

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Submitted on August 05, 2018

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