Castle in the Sky Page #3

Synopsis: A young boy stumbles into a mysterious girl who floats down from the sky. The girl, Sheeta, was chased by pirates, army and government secret agents. In saving her life, they begin a high flying adventure that goes through all sorts of flying machines, eventually searching for Sheeta's identity in a floating castle of a lost civilization.
Director(s): Hayao Miyazaki
Production: Tokuma Shoten
  1 win.
 
IMDB:
8.1
Metacritic:
78
Rotten Tomatoes:
95%
PG
Year:
1986
125 min
2,850 Views


There really was a Laputa!

Sheeta, it exists, after all.

Grandpa, where do you think the island is now?

Grandpa Pomu?

Sorry, but could you put away the stone?

It's too much for me.

What's the matter, Grandpa?

My grandpa told me...

When the stones are noisy,

Laputa is over the mines.

So, if we went up into the sky now,

we could see Laputa!

Sheeta, my father wasn't lying!

Uhh...Little girl...Umm...

Yes?

I tell others about stones because

that's how I make a living.

Listen, the good luck the stones bring

people also seems to invite bad luck.

What's more. That stone was made

by human hands. Remember that...

It's not like that!

That stone has saved Sheeta

twice already, hasn't it?

This is amazing! Laputa is real.

They've gone.

Let's go back to the ship, Mama.

Keep quiet. We'll stay here for now.

I'm hungry.

It's okay, let's go.

Thanks, Grandpa.

Be careful.

Wow...what magnificent clouds...

The island is floating,

hidden behind the peaks of those clouds.

I'll do it! I swear I'll find Laputa!

Pazu...

There's something I still haven't told you...

There's an old, secret name in my family.

When I inherited this stone,

I inherited that name as well...

My inherited name is Lucita...

Lucita Toelle Ul Laputa.

Laputa - then...!

It's the army! Run, Sheeta!

Run to the cave!

Don't move!

What are you doing?!

Pazu!

Let me go!

We've caught them, sir.

Did they give you a lot of trouble?

Open up! Open up!

This is too slow!

She'll talk as soon as we lock her up!

That's a bad habit of the government.

Rush things and both the girl and

the investment will suffer, your Excellency.

If we'd mobilized the troops in the first place,

Dora wouldn't have surprised us.

Your Excellency,

the coded messages were deciphered.

What?!

This is a job for my agents.

Your Excellency need only move

the troops at the right time.

Muska! I am the commander of the

Laputa investigation. Don't forget that!

Of course; and I take my orders directly

from the government. Don't forget that.

Meddling fool!

Did you sleep well?

Where's Pazu? I want to see Pazu!

Don't you like the latest fashions?

Don't worry about him.

His head is harder than mine.

Come, there's something I want you to see.

Go in.

What is it...?

It has terrible destructive power.

It's a robot soldier.

If this fellow hadn't fallen out of the sky,

nobody would have believed in Laputa.

This wasn't made anywhere

on the Earth's surface.

It has power almost beyond imagining.

And its body...metallic? Ceramic?

Our scientists still don't know.

Look at this. Don't be afraid.

It's been inactive since we found it.

There.

The same symbol that was on

the old fireplace in your home...

Rate this script:3.7 / 3 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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