Call Northside 777 Page #5

Synopsis: In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. McNeal to look into the case. For some time, McNeal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
Genre: Drama, Film-Noir
Director(s): Henry Hathaway
Production: 20th Century Fox Film Corporation
  1 win & 2 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
73%
APPROVED
Year:
1948
112 min
140 Views


Uh-huh. Go on.

Well, when they question you

hour after hour...

...you're bound to get mixed up

on a lot of little things the way I did.

That's another good angle--

railroaded, huh?

Then they took me

from one police station to another...

...every few hours--...

...taking me 'around the

horn,' they call it--...

...so my lawyer couldn't get me out.

And this Wanda Skutnik--...

...the first two times she saw me,

she said I wasn't the man.

Then, all of a sudden, she said I was.

- Finger woman, huh?

All right.

We'll play that up too.

I was home with my wife

the night the policeman was killed.

Does your wife visit you regularly?

My wife? Yeah.

We're divorced.

Well, we... better duck that angle too.

You duck so many things.

You don't believe me, do you?

Listen.

I talked to your mother.

She's a very fine old woman.

She believes you. I need proof.

I got no proof.

- Yeah. Yeah, I know.

All right. Now, what we'll

do with this thing is this.

We'll play up this mother angle

and the finger woman...

...and maybe a little police

and political corruption too.

I didn't say that.

Well, what difference

does that make? It's a good angle.

Probably true anyway.

See, you don't want a wishy-washy story.

This thing's

got to have sock-- mass appeal.

It's the only way we'll

be able to help you--...

...get sympathy, public support.

You leave it to me.

Okay, Warden.

Thank you.

That's all, Frank.

Are there any guilty men out here?

Not if you hear them tell it.

They sure make a hard pitch, don't they?

Ninety-nine years is a long time.

Maybe he'd been better off

if he got the chair.

Mr. McNeal is busy. But I'll tell him

you liked the story. You're welcome.

Yes, the Times is going to continue

with the Wiecek case. You're welcome.

[ Typewriter Clacking ]

Yeah.

Yes. Well, thank you very much for calling.

That's right, lady. I guess the Times

is gonna follow up the case.

Yes. Good-bye.

Say, what are you gonna

use for a follow-up?

What follow-up?

Well, the thing is snowballing.

I want more of it.

Well, do you wanna

give me a raise, or do I just get...

...the 5,000 from Wiecek's mother?

Look, Mac. My job's to print the news

that's fit to print.

Did it ever occur to you that we might be

sellin' this dead cop short?

Maybe he had a mother

that scrubbed floors too.

[ Ringing ]...

...[ Ringing Continues ]

And another thing,

remember what Wiecek said...

...about that judge that

promised him a new trial?

Well, the judge died

three weeks after the case was closed.

He's been dead for 11 years.

That Wiecek's a pretty

smart cookie, you know.

He gives me a lead

and knows I can't check up on it.

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Jerome Cady

Jerome Cady (August 15, 1903 – November 7, 1948) was a Hollywood screenwriter. What promised to be a lucrative and successful career as a film writer - graduating up from Charlie Chan movies in the late 1930s to such well respected war films as Guadalcanal Diary (1943), a successful adaptation of Forever Amber (1947) and the police procedural Call Northside 777 (1948) - came to an abrupt end when he died of a sleeping pill overdose onboard his yacht off Catalina Island in 1948. At the time of his death, he was doing a treatment for a documentary on the Northwest Mounted Police. There was a Masonic funeral service for him. He received an Oscar nomination for Best Original Screenplay for Wing and a Prayer in 1944. A native of West Virginia, Cady started as a newspaper copy boy. He was later a reporter with the Los Angeles Record, before joining the continuity staff of KECA-KFI, Los Angeles in June 1932. He spent time in New York in the 1930s with Fletcher & Ellis Inc. as its director of radio, returning to Los Angeles in 1936. He joined 20th Century Fox in 1940, having previously been employed at RKO between radio jobs.. more…

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Submitted on August 05, 2018

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