Call Northside 777 Page #4

Synopsis: In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. McNeal to look into the case. For some time, McNeal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
Genre: Drama, Film-Noir
Director(s): Henry Hathaway
Production: 20th Century Fox Film Corporation
  1 win & 2 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
73%
APPROVED
Year:
1948
112 min
134 Views


That kid killed the cop.

He got what was comin' to him.

Now, I need a branch of a tree

right in there.

See one around?

No, that's sky. That's sky.

l-I wasn't thinking about the boy.

I was thinking about his mother.

I hammer out a sob story,

and everybody's blubberin' all over me.

You know what it is?

It catches your imagination.

Nobody knows whether she's right

or not, but...

...she's worked so hard--

she's had such faith-- that...

...[ Chuckles ] well, I want her to be right.

Honey, I love ya.

Wouldn't you scrub floors for me

if I shot old Kelly in the head?

Oh, I don't know.

- You don't know. You don't--...

Jim--

- Oh, here's one. Here's one looks like it.

No.

- Jim.

Look, I'm goin' out to see him tomorrow.

Why you-- You women are suckers

for sentimentality, aren't ya?

I guess that's how I got you.

All I had to do was

dangle an orange blossom in front of you.

Oh, it took a little more

than that, Mr. McNeal.

It did, huh? Mm-hmm.

- Hmm.

[ Locks Rattling ]...

What kind of a guy is he, Warden?

- I like him.

Oh.

Frank, this is McNeal of the Chicago Times.

He wants to interview you.

[ Warden ] Now, you don't have to consent

to this interview...

...or answer any questions

if you don't want to.

[ Wiecek ] But I do want to....

Sure, I want to.

- Okay.

That's fine. He's yours.

Sit down, Frank.

The Times has

taken an interest in your case.

I came out to ask you some questions.

- Yes, sir.

I'd like more of your story,

your side of it.

I need an angle, something

to hit the public with. You understand?

Yes, sir.

- Now, you knew about the ad...

...your mother ran in the papers...

...and the $5,000 reward?

- Yeah.

Did ya know she was scrubbin' floors

to earn that money?

Yes, I did.

All she lives for is to get me out.

I guess that's all I've got to live for too.

Well, that's a very good angle to play up--...

...your faith in your mother,

her faith in you.

You know, if you're guilty...

...you're just letting her

slave her life away for nothing.

you're just letting her

slave her life away for nothing.

She knows I'm not guilty.

- Uh-huh.

I read the news clips...

...the transcript of the trial.

They don't whitewash you,

the way I see it.

But you only read what convicted me.

All the true facts didn't come out.

Even Judge Moulton said I was innocent.

The judge that gave you 99 years?

Well, the jury

said we were guilty. He had to.

But in his chambers,

he said he knew we were innocent.

When was that?

- Well, after he sentenced us--

Oh, after. Well, maybe

we'd better duck that.

What else?

My lawyer was a drunk.

He wouldn't even let me take the stand.

He was afraid I'd get the chair.

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Jerome Cady

Jerome Cady (August 15, 1903 – November 7, 1948) was a Hollywood screenwriter. What promised to be a lucrative and successful career as a film writer - graduating up from Charlie Chan movies in the late 1930s to such well respected war films as Guadalcanal Diary (1943), a successful adaptation of Forever Amber (1947) and the police procedural Call Northside 777 (1948) - came to an abrupt end when he died of a sleeping pill overdose onboard his yacht off Catalina Island in 1948. At the time of his death, he was doing a treatment for a documentary on the Northwest Mounted Police. There was a Masonic funeral service for him. He received an Oscar nomination for Best Original Screenplay for Wing and a Prayer in 1944. A native of West Virginia, Cady started as a newspaper copy boy. He was later a reporter with the Los Angeles Record, before joining the continuity staff of KECA-KFI, Los Angeles in June 1932. He spent time in New York in the 1930s with Fletcher & Ellis Inc. as its director of radio, returning to Los Angeles in 1936. He joined 20th Century Fox in 1940, having previously been employed at RKO between radio jobs.. more…

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Submitted on August 05, 2018

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