Blood on the Moon Page #4

Synopsis: When a shady-looking stranger rides into town to join his old friend it is assumed he is a hired gun. But as the new man comes to realise the unlawful nature of his buddy's business and the way the homesteaders are being used, the two men draw apart to become sworn enemies.
Genre: Western
Director(s): Robert Wise
Production: Odeon Entertainment
 
IMDB:
6.9
PASSED
Year:
1948
88 min
Website
142 Views


- You fighting for your own graze too?

- No ma'am.

And you?

I thought you were all old timers, fighting for land

you settled on, Kris?

At least that's in the open now.

Paid gunmen against working riders.

You did read that note, didn't you?

No.

You're a poor liar.

Yes.

Well. Lufton's across the Massacre.

John Lufton's no fool, mister.

Garry did not read that note.

- Then where did you get the tip?

- None of your business, Milo.

I got a wrong tip and I won't get another.

Well if you don't like it, Milo.

Just ride it on out.

Lufton's across the river with that herd.

Yeah, sure. But steers have got legs.

They can be driven back.

The thing to do is find 'em

before Lufton can get 'em scattered.

After that we can move.

Didn't you notice how them four always stick together?

Why not?. Reardan and Shotten work for Riling.

Garry's a friend just came in to help.

I can buy me that kind of a friend

for $75 a month and no questions asked.

You know, Lufton's smart.

Yeah he's smart enough to spot me.

He had spotted Shotten and Reardan

before I even knew they were there.

They are a couple of beauties.

Who are they?

Doesn't matter who they are, Jim.

The thing that matters is, they don't scare easy.

Well, it's pretty crude.

Not so crude.

I've made everybody swallow it but Lufton,

and I'll make him swallow it too.

Shotten, Reardan and me.

Hired gunmen.

Shotten and Reardan will get paid in gold eagles.

You get paid in thousands.

Yeah. Only difference between us is the price.

All right boys, cut for town.

I'll be in touch with you.

Tate, I didn't know it was a trick of Dad.

I swear I didn't. Until I heard Amy say it.

Of course you didn't, darling.

Forget it.

It's done and now we've got to fix it.

But I'm glad in a way.

I couldn't bear it this morning when I though

you and Dad were fighting.

It isn't for you, Carol.

But I have to do what I'm doing.

You see that, don't you?

- Yes, Tate.

- You see, I'm a poor man, darling.

Money has to come hard to me.

Nothing for me to do but join up with men

just like myself and fight for what little I've got.

I tried to make Dad see both sides.

But he's just as sure he's right as you homesteaders are.

We've got to fight.

But he's across now.

What are you gonna do?

I'm not gonna ask you to risk your dad's life, darling.

But I am going to ask you to help.

Find out where he's holding the herd that he crossed.

and get word back to me as soon as you can.

You won't let any harm come to Dad, won't you?

You know you can trust me, darling.

Still a lot easier when we go through the gap.

- We ought to make it by noon.

- Yes.

I scatter 'em in the scrub pinion

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Lillie Hayward

Lillie Hayward (September 12, 1891 – June 29, 1977) was an American screenwriter whose Hollywood career began during the silent era and continued well into the age of television. She wrote for more than 70 films and TV shows including the Disney film The Shaggy Dog and television series The Mickey Mouse Club and Walt Disney's Wonderful World of Color. She was also remembered for the films Her Husband's Secretary and Aloma of the South Seas, the latter written in part with the help of her sister, actress and screenwriter Seena OwenLillie Hayward died in 1977 and was interred at Hollywood Forever Cemetery in Los Angeles. Her husband of seventeen years, Jerry Sackheim, was also a Hollywood writer with whom she had worked on The Boy and the Pirates (1960). more…

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Submitted on August 05, 2018

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