Belle of the Nineties Page #4

Synopsis: Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to get away from prizefighter Tiger Kid. Installed as the prize attraction of "The Sensation Club", ran by Ace Lamont, she quickly becomes the toast of the town and also marked as personal property by Ace, arousing the fury of Ace's former flame, Molly Brant. The not-overly-bright Tiger comes to town and is set for a title match with the champ by Ace, while the latter also has him steal some of Ruby's jewels. Ruby, no dumb-belle, figuring Ace has the fix in on the fight, uses some of her other jewels to lay a trap for Ace. Tiger confesses, after the fight, to Ruby his role in the jewel robbery while she hints that Ace was the one who slipped him the knock-out drops. Tiger goes after Ace, who, for his own reasons, has Molly locked in a closet.
Genre: Comedy, Drama
Director(s): Leo McCarey
Production: Paramount Pictures
 
IMDB:
6.6
APPROVED
Year:
1934
73 min
97 Views


- You'll have moments of your own.

- I do have my moments.

- You have?

- Yeah, but they're all weak ones.

RUBY:
Lovely painting.

RUBY:
What is this? One of your ancestors?

ACE:
No, but it's very valuable.

This one in particular is an old master.

Looks more like an old mistress to me.

I trust you'll find I've left nothing undone

to make you comfortable.

I want you to enjoy every minute here.

Of course, I'll be right here in the house

all the time.

A man in the house

is worth two on the street.

Gorgeous layout. Your idea, of course?

I believe I may accept that compliment.

By the way, where's Jasmine, my maid?

Another carriage is bringing her,

and your luggage. I've thought of everything.

I bet you have.

Driving you here has been very pleasant.

- Yeah?

- Yeah.

I just can't wait till I see you again.

You've got to wait.

MOLLY:
Ace, what about this woman?

I won't have you bothering me

at a time like this. There's too much to do.

- I think we're gonna like it here.

- Yes, ma'am.

[Knocking on door]

Come in.

MOLLY:
So you're Ruby Carter.

The only thing my mother told me.

Everything else, I found out for myself.

I'm Molly Brant. I guess you've never heard

of me, but I'm Ace La Mont's sweetheart.

- You understand?

- That's fine.

He's a swell guy, you want to hold on to him.

- I guess I can do that all right.

- Then what've you got to worry about?

[Lively instrumental music]

Big crowd tonight.

You're lucky you reserved a table.

This Ruby Carter's certainly

packed the place.

- You've he heard of her, haven't you?

- I was on the same boat with her.

- Really? What sort of a person is she?

- I only saw her for a moment.

[Fanfare playing]

Now the most important announcement

in the history of the Sensation House.

I have spared no expense in bringing,

to New Orleans and you...

the queen of all entertainers.

Ladies and gentlemen, I take great pleasure

in presenting to you, for your enjoyment...

the artistic talents of a lady,

whose fame has travelled far and wide.

A lady who has made St. Louis

the most famous town on the Mississippi.

Miss Ruby Carter.

[Applause]

[Rousing instrumental music playing]

[Singing] When a St. Louis woman

comes down to New Orleans

When a St. Louis woman

comes down to New Orleans

She'll be wearing more diamonds

than Uncle Sam's got Marines

I had a good man in Memphis

but the fool, he laid down and died

I had a good man in Memphis

but the fool, he laid down and died

Because his old woman

she hung a knife in his side

Now he was her man

but he came to see me sometimes

I said, he was her man,

but he came to see me sometimes

I lived six flights up

and he sure was willing to climb

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Mae West

Mary Jane "Mae" West (August 17, 1893 – November 22, 1980) was an American actress, singer, playwright, screenwriter, comedian, and sex symbol whose entertainment career spanned seven decades, known for her lighthearted bawdy double entendres and breezy sexual independence. West was active in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress and writer in the motion picture industry, as well as appearing on radio and television. The American Film Institute named her 15th among the greatest female stars of classic American cinema. Often using a husky contralto voice, West was one of the more controversial movie stars of her day and encountered many problems, especially censorship. She bucked the system, making comedy out of conventional mores, and the Depression-era audience admired her for it. When her cinematic career ended, she wrote books and plays and continued to perform in Las Vegas, in the United Kingdom, on radio and television and to record rock and roll albums. She was once asked about the various efforts to impede her career, to which she replied: "I believe in censorship. I made a fortune out of it." more…

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Submitted on August 05, 2018

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