Belle of the Nineties Page #3

Synopsis: Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to get away from prizefighter Tiger Kid. Installed as the prize attraction of "The Sensation Club", ran by Ace Lamont, she quickly becomes the toast of the town and also marked as personal property by Ace, arousing the fury of Ace's former flame, Molly Brant. The not-overly-bright Tiger comes to town and is set for a title match with the champ by Ace, while the latter also has him steal some of Ruby's jewels. Ruby, no dumb-belle, figuring Ace has the fix in on the fight, uses some of her other jewels to lay a trap for Ace. Tiger confesses, after the fight, to Ruby his role in the jewel robbery while she hints that Ace was the one who slipped him the knock-out drops. Tiger goes after Ace, who, for his own reasons, has Molly locked in a closet.
Genre: Comedy, Drama
Director(s): Leo McCarey
Production: Paramount Pictures
 
IMDB:
6.6
APPROVED
Year:
1934
73 min
97 Views


But if you really think anything of him...

you'll let him alone

until I can make him champ.

I ain't got a heart of stone,

I can listen to reason.

Maybe it would be the best thing

to let him go on thinking the way he does.

That's nice of you.

If you only knew what this meant to me.

I've worked on him for months

trying to make him champ...

building him up, then you came along.

If he were to lose

this championship on your account...

Get out of here before I stick a hatpin in you.

RUBY:
Give me those contracts.

STOGIE:
Here you are.

When do we leave?

There ain't anybody in town

that don't know she's coming, by now.

I've seen to that, just like you wanted, Ace.

Only hope Stogie didn't slip up on his end.

ACE:
He knows better than to slip up.

ACE:
Wait until you see her, boys,

what a woman she is.

We knew you wouldn't bother with her

if she wasn't something special.

ACE:
You're right.

ACE:
How about the preparations,

have my instructions been carried out?

Absolutely.

ACE:
We'll see, come along.

Well, my dear Molly.

Why this extraordinary curiosity about me?

From you of all people, I have no secrets.

I'll see you later.

- Ace, I must talk to you now...

- I said I'd see you later.

I wouldn't mind being a woman myself

and have a place like this.

I'm afraid you haven't the necessary charm.

Very nice.

Where are the flowers?

Confound it, where are they?

I don't know, they were ordered.

- Get them here immediately.

- I'll attend to it myself.

In less than an hour, the lovely Ruby Carter

will be occupying this room.

She's all you say she is, Ace.

She's more.

ACE:
See if you can catch sight of Stogie.

MAN:
There he is!

MAN:
Hi, Stogie!

ACE:
I'm happy to welcome you.

RUBY:
Thanks.

- We're all happy to welcome you.

- Thank you.

ACE:
Take care of these men.

RUBY:
Yes, give them all my address.

MAN 2:
That's the way.

Our carriage is waiting, shall we go?

Sure, but you'll have to show me the way

because I'm just a babe-in-the-woods.

Great town, St. Louis.

ACE:
You were born there?

RUBY:
Yes.

ACE:
What part?

RUBY:
All of me.

BROOKS:
I beg your pardon,

but you've dropped your glove.

Thank you.

Perhaps I could do something

for you sometime.

Yeah.

Home.

RUBY:
Where's that?

ACE:
The Sensation House.

The Sensation House?

What a home that must be.

[Light piano music]

This is a pretty classy spot.

I had everything carried out

in French architecture.

I always did like French art.

And the house has plenty of atmosphere.

Good or bad?

ACE:
There's no denying,

it's a perfect setting for a woman like you.

Yes, I guess I could do things

in a place like this.

Of course, it won't be all work.

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Mae West

Mary Jane "Mae" West (August 17, 1893 – November 22, 1980) was an American actress, singer, playwright, screenwriter, comedian, and sex symbol whose entertainment career spanned seven decades, known for her lighthearted bawdy double entendres and breezy sexual independence. West was active in vaudeville and on the stage in New York City before moving to Hollywood to become a comedian, actress and writer in the motion picture industry, as well as appearing on radio and television. The American Film Institute named her 15th among the greatest female stars of classic American cinema. Often using a husky contralto voice, West was one of the more controversial movie stars of her day and encountered many problems, especially censorship. She bucked the system, making comedy out of conventional mores, and the Depression-era audience admired her for it. When her cinematic career ended, she wrote books and plays and continued to perform in Las Vegas, in the United Kingdom, on radio and television and to record rock and roll albums. She was once asked about the various efforts to impede her career, to which she replied: "I believe in censorship. I made a fortune out of it." more…

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Submitted on August 05, 2018

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