Becoming Jane Page #3

Synopsis: The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable - marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire - then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends and fortune.
Director(s): Julian Jarrold
Production: Miramax Films
  3 wins & 6 nominations.
 
IMDB:
7.1
Metacritic:
55
Rotten Tomatoes:
57%
PG
Year:
2007
120 min
$18,602,895
Website
4,228 Views


Well done, Jane.

Bravo.

Well done.

She speaks so well.

Well, excessively charming, I thought.

Well, accomplished enough, perhaps,

but a metropolitan mind may be

less susceptible to extended, juvenile self-regard.

Well, thank you.

We're both very proud.

# In airy dreams

#... absent love to see

# Dear you, oh, to think

# On thee #

Careful there, old fellow.

Fine piece, Mr Lefroy.

Handled a gun before, have you, Tom?

Mmm.

- Tom!

Jesus!

- Tom.

- Uncle?

Why not try a walk?

There's some very fine country round about.

Very fine.

A walk.

Miss!

Miss! Miss!

Miss! Miss, I...

Miss?

Miss?

- Miss...

- Austen.

Mr Lefroy.

Yes, I know, but I am alone.

- Except for me.

- Exactly.

Oh, come!

What rules of conduct apply

in this rural situation?

We have been introduced, have we not?

What value is there in an introduction

when you cannot even remember my name?

Indeed, can barely stay awake in my presence.

Madam.

These scruples must seem very provincial

to a gentleman with such elevated airs,

but I do not devise these rules.

I am merely obliged to obey them.

I have been told

there is much to see upon a walk

but all I've detected so far is a general

tendency to green above and brown below.

Yes, well, others have detected more.

It is celebrated.

- There's even a book about Selborne Wood.

- Oh.

A novel, perhaps?

Novels?

Being poor, insipid things, read by mere women,

even, God forbid, written by mere women?

I see, we're talking of your reading.

As if the writing of women did not display

the greatest powers of mind,

knowledge of human nature,

the liveliest effusions of wit and humour

and the best-chosen language imaginable?

- Was I deficient in rapture?

- In consciousness.

It was...

It was accomplished.

It was ironic.

- And you're sure I've not offended you?

- Not at all.

My lords, ladies and gentlemen,

the Grand Vizier's Flight.

- May I have the honour?

- How kind, cousin.

- Miss Austen.

- Mr Wisley.

May I have the pleasure of this next dance?

Oh, no, we're so late.

Take care.

Oh, thank you, Tom.

Hurry.

Lucy.

Oh!

I am mortified.

I practised, but it won't stick.

What a lovely pair they make.

Ah, Sister.

What do you make of Mr Lefroy?

We're honoured by his presence.

You think?

He does, with his preening, prancing,

Irish-cum-Bond-Street airs.

Jane.

Well, I call it very high indeed, refusing

to dance when there are so few gentleman.

- Henry, are all your friends so disagreeable?

- Jane.

Where exactly in Ireland

does he come from, anyway?

Limerick, Miss Austen.

I would regard it as a mark of extreme favour

if you would stoop

to honour me with this next dance.

Being the first to dance with me, madam,

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Jane Austen

Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics and scholars. With the publications of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript and another unfinished novel, The Watsons. Her six full-length novels have rarely been out of print, although they were published anonymously and brought her moderate success and little fame during her lifetime. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set. They gradually gained wider acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience. Austen has inspired a large number of critical essays and literary anthologies. Her novels have inspired many films, from 1940's Pride and Prejudice to more recent productions like Sense and Sensibility (1995) and Love & Friendship (2016). more…

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Submitted on August 05, 2018

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