Autoreiji: Biyondo (Outrage 2 AKA Outrage Beyond) Page #3

Year:
2012
82 Views


I would like you to meet Mr. Fuse,

chairman of the Hanabishi in Osaka.

His underboss, Nishino,

is my sworn brother.

Why get them involved in this?

Trust me.

You have our support.

Brother, you should meet him.

Would you two go with me?

That would be too obvious.

You go alone.

Good afternoon, sir.

The other executives complain that

Mr. Kato relies too much

on Ishihara and Funaki.

Ishihara was a family outsider.

Ishihara may be an outsider,

but it's no use whining about him.

Mr. Kato doesn't appear to be

retiring any time soon.

This is awkward,

but can you help them?

My superiors are breaking us

about the Sanno becoming this big.

Your revenue streams may be affected

if nothing is done.

Your former chairman made a deal with me

not to wage war against each other.

But since Kato took over,

that deal is void.

Isn't that right?

You could have our endorsement

but you must be ready for the responsibility

of inheriting the family.

Of course, I am.

How many executives will follow you?

Shiroyama and Gomi.

And at least another three.

Who are they? Are they competent?

It's understandable

you're bitter about Kato.

He's not the most considerate.

And he's stingy.

All his seasonal gifts were cheap stuff

that salarymen would send.

When we helped in your dispute

with the Shijo,

he only paid us five million yen.

Even if you're a chairman,

you're nothing without the support

of your own men.

Let me think about this.

I'll see what I can do.

Thank you, sir. Much appreciated.

Sure Kato doesn't know you're here?

Of course, not.

Fine. Treat him to dinner, drinks

or whatever.

Yes, sir.

Thank you. But I must go back.

Leaving already?

Would it kill you to have dinner?

If I return too late,

someone might get suspicious.

I'll leave with you.

We appreciate your support, Mr. Fuse.

We'll do what we can too.

See you again, brother.

Excuse us.

It's been five years.

Would you like some tea?

Why should we drink tea here?

Isn't this better than prison work?

You started a rumor that I was dead.

Otherwise the Sanno would come after you.

Nobody remembers me.

The Sanno reign could be over soon.

The police will begin a full-scale crackdown.

I'll come back again soon.

These are for you.

I don't smoke.

Hoping for a long life?

Smart-ass!

Mr. Kato.

Tomita, thanks for waiting.

What can I do for you?

Why did you see the Hanabishi in Osaka?

It's nothing.

We had a call from Mr. Fuse.

Hey.

They told me some things.

What did you tell him?

Brother, I'm sorry.

You betrayed me!

Betray is too strong a word.

Hold on!

Mr. Kato!

Please.

Mr. Kato!

Mr. Ishihara!

I'm begging you.

Please!

Please!

Hey.

Don't get any ideas.

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Takeshi Kitano

Takeshi Kitano (北野 武, Kitano Takeshi, born 18 January 1947) is a Japanese comedian, television personality, director, actor, author, and screenwriter. While he is known primarily as a comedian and TV host in his native Japan, abroad he is known almost entirely for his filmwork. With the exception of his works as a film director, he is known almost exclusively by the stage name Beat Takeshi (ビートたけし, Bīto Takeshi). Kitano rose to prominence in the 1970s as one half of the comedy duo Two Beat, before going solo and becoming one of the three biggest comedians in the country. After several small acting roles, he made his directorial debut with 1989's Violent Cop and garnered international acclaim for Sonatine (1993). But he was not accepted as a director in Japan until Hana-bi won the Golden Lion in 1997. In October 2017, Kitano's completed his Outrage crime trilogy with the release of Outrage Coda.He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes where little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters. more…

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Submitted on August 05, 2018

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    "Autoreiji: Biyondo (Outrage 2 AKA Outrage Beyond)" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/autoreiji:_biyondo_(outrage_2_aka_outrage_beyond)_3295>.

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