At First Sight Page #6

Synopsis: First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Genre: Drama, Romance
Director(s): Irwin Winkler
Production: MGM
 
IMDB:
5.9
Metacritic:
40
Rotten Tomatoes:
32%
PG-13
Year:
1999
128 min
436 Views


Grazing his hand across a telephone pole - Virgil stops - turns to

Amy.

VIRGIL:

This is the end of the street.

We should turn back.

AMY:

What about past the end of the street?

What's out there?

He turns around.

VIRGIL:

(shrugs)

Nothing.

AMY:

No - there's an old run down

building off to the side...

VIRGIL:

Must be the old firehouse.

It had a fire so they shut it down. (Amy laughs)

Honest to God.

(intrigued)

What else do you see?

AMY:

A wall of shrubs -

a field with an interesting configuration of trees.

The wind has picked up a bit.

VIRGIL:

Tell me how you see it.

AMY:

(enjoying the game)

OK, sure. Let's see - long and elegant. Like --

like a woman dancing with two lovers, trying

to decide which one she loves.

Virgil stops a moment - takes in the image.

AMY:

What?

VIRGIL:

It's just - the image you just

gave me - "Dancing trees. - I like that.

Virgil stops - his head c*cks slightly.

VIRGIL:

We should go - it's starting to rain.

AMY:

(looking around)

There's a bit of a breeze but--

KABOOM - thunder - and the rain just drops.

INT. FIREHOUSE - NIGHT

They run in laughing - Amy closing the door behind them as Virgil

moves his way into the center of the room - stands where the

moonlight from a high window hits the floor. Water runs down the

outside glass, causing the light to ripple across him. The room is

empty - almost surreal.

AMY:

I can't believe how fast it happens...

(she sees Virgil - his head cocked towards the ceiling)

AMY:

Virgil?

Virgil's head turns toward her.

VIRGIL:

You like rain - I love the rain.

AMY:

(moving to him)

What were you just doing there?

Virgil slowly moves his head about, sensing the room.

VIRGIL:

Listening - the rain - it brings out the

contours of everything, gives life to

a room I can't see.

WE SEE SLOW MOVING CUTS of the building as Virgil describes what he

hears.

VIRGIL:

You hear it?...on the roof dripping down the

walls on every side. On the right, on the

drainpipe, it's drumming with a deeper,

steadier sound - - like a timpani - echoing

across the room - tells me the room is large

- open. You feel it - in your chest? On the left,

the rain says... (he listens)

...a fire escape, with it's own rhythm

- ping - ping. Then listen - there...

(he points)

--what's that - over there...?

AMY:

Looks like it's...

VIRGIL:

No, listen for it - not what it

looks like - what it becomes.

Come here.

Amy moves closer - Virgil puts his hands out on her shoulders -

turns her to the sound.

VIRGIL:

Now just listen to it - shut out

everything but that sound -

do you hear it?

Amy strains to listen - closes her eyes - her head instinctively

turning - no in unison with Virgil's

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Steven Levitt

Steve Levitt is the William B. Ogden Distinguished Service Professor of Economics at the University of Chicago, where he directs the Becker Center on Chicago Price Theory. Levitt received his BA from Harvard University in 1989 and his PhD from MIT in 1994. He has taught at Chicago since 1997. In 2004, Levitt was awarded the John Bates Clark Medal, awarded to the most influential economist under the age of 40. In 2006, he was named one of Time magazine's “100 People Who Shape Our World.” more…

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Submitted by aviv on November 30, 2016

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