At First Sight Page #5

Synopsis: First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Genre: Drama, Romance
Director(s): Irwin Winkler
Production: MGM
 
IMDB:
5.9
Metacritic:
40
Rotten Tomatoes:
32%
PG-13
Year:
1999
128 min
436 Views


KNOCK KNOCK:

AMY:

Coming!

Rubbing her leg - she limps/half walks to the door - opens it to:

Virgil:
dark glasses, cane, smile

AMY:

Virgil..?

She pulls a towel in closer - then realizes it doesn't matter

VIRGIL:

My turn to apologize. I should have told

you I was blind it wasn't fair.

AMY:

That's OK. You want to come in -

I just got out of the shower - give me

a minute to get changed?

VIRGIL:

(as he moves in)

Sure, I promise I won't look.

As Amy starts to get changed in the bathroom.

VIRGIL:

Anyways, I was in the neighborhood --

actually the whole town's my neighborhood

-- and since you've never been to our

illustrious village, I thought maybe we could

go into town - see what we see.

AMY:

See what we see?

VIRGIL:

Figure of speech

.

AMY:

You mean right now, tonight?

VIRGIL:

Great - I'm blind and you're deaf - what a pair.

EXT. MAIN STREET - EVENING

A few store windows lit up. Some people eating dinner at a

streetside cafe. Virgil, holding Amy's arm as they walk down the

street.

WITH AMY AND VIRGIL WALKING:

VIRGIL:

... the Mechanic at the top of the street is Doug - smokes too

much - but a good guy. Three steps down is Carlson's hardware

- he's got a laugh like a donkey - we sometimes listen to games

together - he's a Devil's fan. And just up ahead should be Grady's

junk shop - he calls it "antiques"...

Smells like junk. I'd hate to see what it looks like

.

A woman bustles past, NANCY BENDER, weighed down with groceries.

VIRGIL:

(intuitively)

Hey Nancy.

NANCY:

Hey Virgil - got that book in for you.

VIRGIL:

Nancy's our librarian, brings in

any braille book I want.

NANCY:

(to Amy)

The guy's nuts about the pyramids -

anything he can get his hands on...

VIRGIL:

Thank-you Nancy - you should get your

groceries home - your ice cream's melting.

Nancy laughs - as she moves off.

AMY:

Nice place - you seem to know everyone here.

VIRGIL:

Moved here when I was eight.

My family figured it would be a

good place for me to grow up.

Tell me what you see.

AMY:

Well, there's a good structure to the

town - genuine lines, good use of space.

To be honest I'd find a better balance

to a lot of these buildings. But that's me.

VIRGIL:

What's you?

AMY:

The architect in me - can't leave well

enough alone. Art school in college -

I made the arms for the Venus DeMilo.

(realizing he probably doesn' t understand)

see, the Venus De Milo has no arms and...

VIRGIL:

(laughs)

I know the Venus De Milo has no arms, and

the Mona Lisa has this captivating smile

and David doesn't wear a fig leaf.

AMY:

How do you...

VIRGIL:

I may not have been a lot of places -

but I read about things, then make an

image up here -- (points to his head)

--that works for me.

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Steven Levitt

Steve Levitt is the William B. Ogden Distinguished Service Professor of Economics at the University of Chicago, where he directs the Becker Center on Chicago Price Theory. Levitt received his BA from Harvard University in 1989 and his PhD from MIT in 1994. He has taught at Chicago since 1997. In 2004, Levitt was awarded the John Bates Clark Medal, awarded to the most influential economist under the age of 40. In 2006, he was named one of Time magazine's “100 People Who Shape Our World.” more…

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Submitted by aviv on November 30, 2016

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