Anything Goes Page #3

Synopsis: Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to the girl they selected without informing the other until they head back across the Atlantic by liner - with each man having brought his choice along! It becomes a stormy crossing as each man has to tell his 'find' that she might not get the role after all.
Genre: Musical
Director(s): Robert Lewis
Production: Paramount Pictures
 
IMDB:
6.2
Year:
1956
106 min
494 Views


Let's be careful about our leading lady, huh?

We mustn't get anyone

who clashes with my personality.

This show is going to be great fun.

- Good night, Victor.

- Good night.

Good night!

You all set with Junior?

- Perfect.

- Great.

Thank you.

Really, at this hour. Disgusting!

Really!

Evening, stranger.

Good evening.

I'm sorry.

In olden days a glimpse of stocking

Was looked on as something shocking

Now, heaven knows

Anything goes

Good authors, too

Who once knew better words

Now only use three letter words

Writing prose

Anything goes

The world has gone mad today

And good's bad today

And black's white today

And day's night today

When most guys today

That women prize today

Are just silly gigolos

So if romance is what you're cravin'

Don't sit on your hands behavin'

Like Eskimos

Anything goes

When wrestlers go to drama classes

To learn how to please the masses

On TV shows

Anything goes

And when the craze for dancing's spreadin'

Until even Grandpa's treadin'

On Grandma's toes

Anything goes

Consider the books we got

The new looks we got

The fool fads we got

The mad ads we got

The crazy games we've got

The ladies' names we've got

For each hurricane that blows

Hey, all you Jills and you Joes

Get yourself up on your toes

It's apropos

So anything goes

This kid great or is she great?

She's great. Who is she, anyhow?

I don't know. Patsy somebody or other.

"Patsy Blair."

Come in, Sybil.

I have a confession: I'm not Sybil.

My name is Bill Benson.

Yes, I know.

Imagine meeting you here.

In a spot like this, some people like to say,

"It's a small world."

Won't you sit...

- Take this.

- No, no thanks, I've been sitting out front.

I want to tell you something:

You were just wonderful.

Coming from you, that's...

It is a small world, isn't it?

Yeah, and I'd like to make it smaller,

too, because...

I'd like to talk you into

doing a show with me.

I think I'll sit down.

How come you've never been on Broadway?

I've been living abroad for quite a while.

That's good for their side,

but it's bad for ours.

You're going to do your show in New York?

Sure.

I'm afraid I couldn't, then.

Maybe I didn't make myself quite clear

or something. This is the lead in the show.

It's a wonderful part.

I can't go home.

I mean...

Oh, hi, darling.

Full house tonight, honey. Great audience.

Thanks, honey. Mr. Benson,

this is my father.

Evening, stranger.

- How are you?

- Fine.

Out in the audience there tonight,

he couldn't even remember your name.

What do you mean?

Funny coincidence, but your father

had the seat right next to me.

Yeah. Yes, I did.

Honey, you were never better.

When you made that turn,

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Guy Bolton

Guy Reginald Bolton (23 November 1884 – 4 September 1979) was an Anglo-American playwright and writer of musical comedies. Born in England and educated in France and the US, he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G. Wodehouse and Fred Thompson, with whom he wrote 21 and 14 shows respectively, and the American playwright George Middleton, with whom he wrote ten shows. Among his other collaborators in Britain were George Grossmith Jr., Ian Hay and Weston and Lee. In the US, he worked with George and Ira Gershwin, Kalmar and Ruby and Oscar Hammerstein II. Bolton is best known for his early work on the Princess Theatre musicals during the First World War with Wodehouse and the composer Jerome Kern. These shows moved the American musical away from the traditions of European operetta to small scale, intimate productions with what the Oxford Encyclopedia of Popular Music calls, "smart and witty integrated books and lyrics, considered to be a watershed in the evolution of the American musical." Among his 50 plays and musicals, most of which were considered "frothy confections", additional hits included Primrose (1924), the Gershwins' Lady, Be Good (1925) and especially Cole Porter's Anything Goes (1935). Bolton also wrote stage adaptations of novels by Henry James and Somerset Maugham, and wrote three novels on his own and a fourth in collaboration with Bernard Newman. He worked on screenplays for such films as Ambassador Bill (1931) and Easter Parade (1948), and published four novels, Flowers for the Living (with Bernard Newman, 1958), The Olympians (1961), The Enchantress (1964) and Gracious Living (1966). With Wodehouse, he wrote a joint memoir of their Broadway years, entitled Bring on the Girls! (1953). more…

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Submitted on August 05, 2018

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    "Anything Goes" Scripts.com. STANDS4 LLC, 2024. Web. 30 Apr. 2024. <https://www.scripts.com/script/anything_goes_3002>.

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