American Psycho Page #5

Synopsis: In New York City in 1987, a handsome, young urban professional, Patrick Bateman (Christian Bale), lives a second life as a gruesome serial killer by night. The cast is filled by the detective (Willem Dafoe), the fiance (Reese Witherspoon), the mistress (Samantha Mathis), the coworker (Jared Leto), and the secretary (Chloë Sevigny). This is a biting, wry comedy examining the elements that make a man a monster.
Genre: Crime, Drama
Production: Lions Gate Films
  5 wins & 8 nominations.
 
IMDB:
7.6
Metacritic:
64
Rotten Tomatoes:
68%
R
Year:
2000
102 min
Website
3,024 Views


Fully dressed in Armani, Bateman stands in front of a

full-length mirror in the middle of his vast bedroom,

adjusting his cuff-links.

BATEMAN (V.0.)

My conscience, my pity, my hopes disappeared

a long time ago, if they ever did exist.

He gives a last look at the mirror and likes what he sees.

He gives his reflection a smile.

INT. OFFICES OF PIERCE & PIERCE - DAY

As Bateman walks down the corridor, he passes another MAN who

looks just like him.

MAN:

Morning, Hamilton. Nice tan.

Bateman walks past the desk of JEAN, his secretary, pulling

his Walkman from around his neck. Jean is attractive,

wholesome, earnest. She smiles shyly. She loves him.

JEAN:

Late?

BATEMAN:

Aerobics class. Sorry. Any messages?

JEAN:

Ricky Hendricks has to cancel today. He didn't say what

he was canceling or why.

BATEMAN:

I occasionally box with Ricky at the Harvard Club.

Anyone else?

JEAN:

And...Spencer wants to meet you for a drink at Fluties Pier 17.

BATEMAN:

When?

JEAN:

After six.

BATEMAN:

Negative. Cancel it.

Jean follows him into his office.

JEAN:

Oh? And what should I say?

BATEMAN:

Just...say...no.

JEAN:

Just say no?

Jean stands at his desk, waiting for instructions.

BATEMAN:

Okay, Jean. I need reservations for three at Camols

at twelve-thirty, and if not there, try Crayons. All

right?

JEAN:

(Playfully)

Yes, sir.

She turns to leave.

BATEMAN:

Oh wait. And I need reservations for two at Arcadia at eight

tonight.

Jean turns around.

JEAN:

Oh, something. . romantic?

BATEMAN:

No, silly. Forget it. I'll make them. Thanks.

JEAN:

I'll do it.

BATEMAN:

No. No. Be a doll and just get me a Perrier, okay?

JEAN:

You look nice today.

Jean exits. Bateman straightens some magazines in his

office, lifts a painting off the wall and puts it back at a

slightly different angle. He fiddles with some pencils in a

beer stein. He puts on some MUSIC and flips through a

Sports Illustrated. He buzzes Jean. She comes in a moment

later with the Perrier and a file.

JEAN:

Yes?

BATEMAN:

Is that the Ransom file? Thanks. Don't wear that

outfit again.

JEAN:

Ummm...what? I didn't hear you.

BATEMAN:

I said "Do not wear that outfit again." Wear a

dress. A skirt or something.

Jean stands there, then looks down at herself.

JEAN:

(Smiling bravely)

You don't like this, I take it?

BATEMAN:

Come on, you're prettier than that.

JEAN:

(Sarcastically)

Thanks, Patrick.

The phone RINGS and Jean turns to leave.

BATEMAN:

I'm not here. And high heels. I like high heels.

As Jean leaves, Bateman clicks on the TV set in one corner

of the room and starts watching Jeopardy!

INT. TAXI - EVENING

Rate this script:4.3 / 6 votes

Mary Harron

Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter best known for her films I Shot Andy Warhol, American Psycho and The Notorious Bettie Page. more…

All Mary Harron scripts | Mary Harron Scripts

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