A New Leaf Page #5

Synopsis: Henry Graham is a man with a problem: he has run through his entire inheritance, and is completely unequipped to provide for himself. His childhood guardian, Uncle Harry (a deliciously mean-spirited James Coco), refuses to give him a dime, and Henry, completely unwilling to exercise the only solution he sees--suicide-- devises a plan with the help of his imaginative butler: he can make money the old-fashioned way--he can marry it. With a temporary loan from Uncle Harry to tide him over, Henry has six weeks to find a bride, marry her, and repay the money, or else he must forfeit all his property to his uncle. With only days remaining, Henry meets clumsy, painfully shy heiress Henrietta Lowell (played by director Elaine May). She's the answer to his prayers--if only Henry can overcome the obstacles placed in his path by Uncle Harry, Henrietta's lawyer, and Henry's own reluctance to wed.
Genre: Comedy, Romance
Director(s): Elaine May
Production: Howard W. Koch Productions
  Nominated for 2 Golden Globes. Another 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
100%
G
Year:
1971
102 min
1,345 Views


By "suitable" you mean rich?

Yes, as far as marriage is concerned ...

You see, as far as marriage is ...

As far as marriage is concerned,

I do have prospects.

I even have skills, to the extent that

I'm not physically disabled.

No.

I'm reasonably well-mannered.

And I can engage in

any romantic activity ...

with an urbanity born of disinterest.

As for character ...

that is something I usually

require of servants ...

- We are talking about character.

- Yes, character.

That is something I usually

require of servants ...

in the form of a brief letter

written by someone like myself ...

to the effect that

the servant in question ...

does not have the ingenuity to steal.

Well, you can't ask for better

credentials for marriage ...

or a better return on your investment.

What is my collateral

in the event that you fail?

Collateral?

My wardrobe and furnishings.

Oh my God, what would I ...?

Yes, go on.

My collection of first editions.

- My paintings and sculptures.

- Oh, well.

- And my ...

- What?

- No.

- No, what?

Well ... that's it.

No, no. You said no. You said no.

What? No, what?

Alright. My Ferrari 275 GTB 4 ...

which retails at $15,900

and is owned outright by me.

That's at least $500,000

worth of collateral.

I'm asking for a $50,000 loan.

- Six weeks?

- Six weeks.

Well, I may be a sentimental old fool ...

but in memory of our long, long years

that I spent as your guardian ...

I'll do it.

Thank you, uncle.

- On one condition.

- What's that?

Should you fail to repay

me in six weeks ...

I am entitled to ten times

the amount I'll lend you.

Ten times the amount?

That's ten times 50,000.

Yes, that's right.

That's ... it's everything ... I ... own.

Of course you could always go to

a bank and ask for a personal loan.

A bank?

Oh God, if I could be a fly

on the wall that day.

Those are my terms. Take them

or leave them as you choose.

- But that's usury.

- Mh-hm.

- I'll take it.

- Good.

I'll have my attorney

draw up the documents tonight.

We should be finished by tonight,

don't you think?

Yes. Thank you, uncle.

Call me Uncle Harry...

After all, we're in business

together now, Henry.

Thank you, Uncle Harry.

In that case, you may call me Mr Graham.

You know, Henry, I have never thought

of you as terribly interested in women.

It comes as rather a shock to me, too.

- Are there any here?

- Huh?

I mean ... unattached ones?

Yes, yes, there's Sharon Hart,

over there next to Felix.

Does she live with her family?

No, no, as far as I know,

Sharon has no close family.

Her husband, Robert Hart,

was a cattle baron, I think.

Really?

Oh, Sharon, I'd like you

to meet Henry Graham.

Rate this script:3.7 / 3 votes

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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