A New Leaf Page #3

Synopsis: Henry Graham is a man with a problem: he has run through his entire inheritance, and is completely unequipped to provide for himself. His childhood guardian, Uncle Harry (a deliciously mean-spirited James Coco), refuses to give him a dime, and Henry, completely unwilling to exercise the only solution he sees--suicide-- devises a plan with the help of his imaginative butler: he can make money the old-fashioned way--he can marry it. With a temporary loan from Uncle Harry to tide him over, Henry has six weeks to find a bride, marry her, and repay the money, or else he must forfeit all his property to his uncle. With only days remaining, Henry meets clumsy, painfully shy heiress Henrietta Lowell (played by director Elaine May). She's the answer to his prayers--if only Henry can overcome the obstacles placed in his path by Uncle Harry, Henrietta's lawyer, and Henry's own reluctance to wed.
Genre: Comedy, Romance
Director(s): Elaine May
Production: Howard W. Koch Productions
  Nominated for 2 Golden Globes. Another 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
100%
G
Year:
1971
102 min
1,334 Views


- Oh nothing, nothing ... I ...

- Won't you sit down a little bit?

- Thank you. I was looking ... for someone.

- Good afternoon, Mr Graham.

- Henri, a va bien?

I'm fine, thank you. I'm kind of surprised.

We're gonna be ready any minute.

Would you like to have a table for one?

No, no, thank you. I just wanted to ...

look at the room once more.

But it's always great to see you.

You're always welcome here. You know that.

- Just check.

- I'm sorry, Mr Sullivan.

I know nothing more

about your application.

That's alright. I'll come back

tomorrow and check.

- Oh, Mr Graham. Good afternoon, Mr Graham.

- Hello, Arthur.

Were you expecting some mail?

No, no. I just ... dropped in to, er

... see if I was still welcome.

I'm poor.

Go!

- Harold , I should like to ask you something.

- Certainly, sir.

You've been with me

for many years now, Harold.

What would you do if I told you

I had lost all my money?

I should leave immediately, sir,

upon giving the proper notice.

Thank you, Harold. I knew I could

count on a straight answer from you.

Thank you, sir.

You can't top Hart, Schaffner and Marx.

Just stand natural.

It fits perfectly.

It's the best suit you can find in

ready-to-wear.

I'm sorry, Mr Graham.

The racket club does not keep those members

on a trust that worry missing their dues.

Don't waste your time, Mr Graham,

come with me to the Y.

Henry, you're not ... you're not

driving a Chevrolet!?

Oh, no!

I took the liberty, sir.

Oh yes, yes, Harold, bring it in.

I was just about to ring for it.

- Harold, I have something to tell you.

- Is it about your money, sir?

Yes, Harold. I've lost it.

Or, more accurately, spent it.

In any case, it's gone.

I'm sorry to hear that, sir.

Have you considered borrowing

from your uncle?

Yes, it was my first thought.

My attorney advised me against it on

the grounds that it would be useless.

See, the thing of it is, Harold ...

that I have no hope of ever

repaying him, or anyone.

I have no skills,

no resources, no ambitions.

All I am, or was, is rich.

And that's all I ever wanted to be.

I don't understand, Harold.

Why did it happen to me? Why?

I was ... I was so happy.

What will I do?

What any gentleman of similar breeding ...

and temperament would do

in your position, sir.

Suicide?

No, sir. I wasn't going to suggest suicide.

I was going to suggest marriage.

Marriage? You mean to a woman?

Yes, sir. That is what I had in mind.

It's the only way to acquire

property without labor.

There is inheritance, but

I believe your uncle ...

has already stated his intention of leaving

everything he owns to Radio Free Europe.

Oh, I can't, Harold. I couldn't ...

Rate this script:3.7 / 3 votes

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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