White Hunter Black Heart Page #2

Synopsis: The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than takes care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Genre: Adventure, Drama
Director(s): Clint Eastwood
Production: Warner Bros. Pictures
  2 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
88%
PG
Year:
1990
112 min
138 Views


What I'm trying to find out from Basil is|how much color complicates our operation.

Well, I'm afraid it does, John.

The camera is much heavier.|There are many more lighting problems.

I'm telling you, color is essential|to the success of this venture.

I'm not concerned with the success|of the venture at this moment.

I just don't want to get bogged down.

- Bogged down?|- Bogged down?

Yes, I know how easy it is to get bogged|down with a company on location.

- Have you ever been bogged down, John?|- No.

- Then why bring it up?|- I think it's a very valid point.

Well, I don't.

Well, of course you don't, Paul.

Because while we're in Africa,|sweating and killing ourselves...

...you'll be in Paris sending out memos.

That's not true.|I'll be there in Africa with you.

Like hell you will.

If the picture was shot in a river in England,|and the second unit sent out to Africa...

...then the risk of using color|would be greatly minimized.

- That would be with some other director.|- We have already discussed that.

Oh, we have, have we?

John, could I talk to you|in the bedroom for a moment?

- What's this bullshit about another director?|- You know I wouldn't do that to you.

You'd sell your mother|down the river to make a deal.

What the hell is the matter with you, John?|Do you want to kill this project?

No. No, I don't.

Then why bring up the possibility of bogging|down? You scared the bejesus out of them!

Then telling them that you'd quit if the|picture wasn't made in Africa. Good God!

If one frame of this picture|is shot in England, I will quit.

But it won't be.

But you discussed it behind my back,|you son of a b*tch.

I didn't mention it because there isn't|a chance it could be done that way.

You'll guarantee that, I suppose?

Yes, goddamn it. I guarantee it!

Well, your guarantee doesn't mean|a damn thing to me.

I'm not gonna make some fake,|crappy mess just to please you.

So I don't care if this picture's shot|in black and white or sepia tone...

...or we have to make|the whole damn thing in animation.

Pete and I are going to Africa.

- What's the effective range of this thing?|- About 100 yards, sir. Not much more.

That's plenty for your buff|and your elephant.

They kill them at 20 yards, kid.

Well, even closer than that sometimes,|so they tell me.

Of course, I've never been to Africa,|but this man has.

Makes for invaluable reading.

Big Game and Big Game Rifles.

- We'll need two of these.|- We'll take two of these rifles right here...

...and two of the smaller ones,|the Mannlichers 256.

And that's to shoot for the pot,|so to speak.

- And then one 12-gauge shotgun.|- Always a useful thing to have along, sir.

And cartridges, of course.

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Peter Viertel

Peter Viertel (16 November 1920 – 4 November 2007) was an author and screenwriter. more…

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Submitted on August 05, 2018

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