So Undercover Page #2

Synopsis: Molly is a teen who works with her father, an ex-cop turned P.I. One day an FBI agent approaches and wants her to work for them. They want her to keep an eye on the daughter of a man who is going to testify against a criminal. So they send her to the college where the daughter is attending. And she tries to fit in while keeping an eye on her and trying to see if there's someone there who doesn't appear who they are.
Genre: Action, Comedy
Director(s): Tom Vaughan
Production: Open Road Films
 
IMDB:
5.0
Rotten Tomatoes:
6%
PG-13
Year:
2012
94 min
919 Views


This is fresh.

I mean...

- where is everybody?

- I don't know.

Oh God. Ping!

Ping! Oh no.

What are they doing

with these animals?

Look at the pigs.

This is weird.

Look at the goat.

Oh.

- Hey. It's the gong.

- Oh yeah.

Who the hell is that?

Uh, hello?

- Uh--

- Huh?

Tell him he left an hour ago

and we need to find him.

- Ping!

- What are they saying, Yul?

- Do you know?

- Uh--

- Do they want us to leave?

- I don't know.

Please, can you

help us find Ping?

I don't know.

- They keep saying the same thing.

- Okay. All right.

Yul, let's go.

I don't want to stay here.

All right, come on.

Let's go. Come on, Yul.

All right.

- These people are crazy.

- I know, I know.

Oh my God.

Oh my God, Yul.

What the f*** is this?

Oh my God.

- Be careful.

- What is this sh*t?

Dude, what the hell,

man? Who--

This is disgusting.

- Crazy motherf***er, what the hell?!

- Be quiet, Yul!

Some f***ing punks.

- Oh good, the key's here.

- Teenagers or something.

- Let's go, get in the car.

- What about Ping?

- Honey, get in the car.

- What, you just want to leave Ping here?

Yes, we leave Ping here.

Come on. Get in.

Come on.

F***. God damn.

What is this, goat blood?

- Jesus.

- Come on, work.

Mel, there's not gonna

be coverage out here.

- Can I at least try?

- Just tell me what he said.

I already told you

what he said.

He said that he was sorry and that he was

going to look for directions.

- Okay.

- Where do you think he went?

I don't know. Maybe I pissed him off

with the t-shirt stuff.

Yeah, the t-shirt

was stupid.

Well, thank God he

left the keys, man.

Sh*t, I mean hopefully

we can find our way back to Senwun.

How are we gonna do that?

I don't know where we are.

And you were f***ing

sleeping the whole time.

Okay, are you gonna get mad

at me for sleeping?

Yes, I am gonna get mad,

'cause you know what?

You should've been paying more attention

to where we're going.

- Are you serious, Mel?

- I don't know where the f*** we are, okay?

- Mel, whoa.

- And this phone is not working.

- And it's freaking me out, all right?

- All right, Mel, hey, shh.

- So we need to find a phone somewhere.

- Okay.

We'll go back

the way we came

and we'll-- we'll get to a place with

cell phone coverage.

And then we can

call my cousin.

Everything's

gonna be fine.

What the hell

happened back there?

People out here

in the countryside

are just more--

F***in' nuts.

Old fashioned.

You're not supposed to

Ieave your house

after dark.

So those animals outside

were live offerings

for the spirits?

Kind of like at the festival

but live offerings?

Yeah. You want to kick it

up a few notches out here

Rate this script:5.0 / 1 vote

Allan Loeb

Allan Loeb (born July 25, 1969) is an American screenwriter and film and television producer. He wrote the 2007 film Things We Lost in the Fire and created the 2008 television series New Amsterdam. He wrote the film drama 21, which also was released in 2008. Among his other credits, he wrote and produced The Switch (2010). He also co-wrote Wall Street: Money Never Sleeps (2010), and wrote The Dilemma (2011), and Just Go with It (2011). He performed a rewrite for the musical Rock of Ages (2012), and the mixed martial arts comedy Here Comes the Boom (2012). more…

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Submitted on August 05, 2018

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