Young at Heart Page #7

Synopsis: When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can't believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
Director(s): Gordon Douglas
Production: Fox Searchlight
 
IMDB:
6.9
Rotten Tomatoes:
86%
APPROVED
Year:
1954
117 min
433 Views


Today I'm off to meet Fred Knittle,

a colorful personality in the chorus...

until a heart attack five years ago

forced him to stop.

- An old cowpoke went riding out

one dark and windy day -

- Upon the trail he res ted

as he went along his way -

- When al I at once a mighty herd

of red-eyed cows he saw -

- A-ridin' through the ragged sky -

- And up a cloudy draw -

- Yippee-yi-ay

Yippee-yi-oh -

- Ghost riders in the sky --

That was the song that we sang

that started the show off.

That seemed to go over pretty well.

We did that all over Europe.

We went from continent to continent

until I became incontinent...

and then we didn't go any further.

There's something about Fred's personality

onstage that makes it all work.

You know, he's-

he's really got this- this charm...

th-th-that comes out of him

when he sings.

And so he's a- You know,

he's- he's pretty magnetic.

[ Stephen ]

Why do you need the oxygen?

I have congestive heart failure...

and it builds up fluids

in the lungs, in the legs.

Um, and so the lungs,

when it's filled with fluid...

you have to have a supplement...

and that's what the oxygen is for-

to replace the space

that I don't have anymore.

That's from years of smoking

and carousing and so forth.

- A lot of carousing, huh?

- A lot of carousing. Right.

Bob Cilman says I have

a high and a low voice.

Um, the high is for ballads

and things like that...

and then occasionally

he'll want me to do a low voice.

- Um-

- How low can you go?

Well-

- Many brave hearts are asleep in the deep -

- So beware -

[ Pitch Lowers ]

- Be-e-e-e-ware -

- [ Stephen Laughing]

- A little bit. I get it down there.

Again, it all depends

how loose my shorts are.

[ Narrator] Fred's partner

in the new song is Bob Salvini...

whose solo of "Every Breath You Take"

where he played a nurse...

was one of the highlights

of the chorus back in the '90s.

[ Bob ]

- Every breath you take -

- Every move you make -

- -- [ Continues ]

- [ Stephen ] Four years ago, at the age of7 1...

Bob developed spinal meningitis.

Within hours his condition

had worsened so rapidly...

that a priest was called in

to deliver the last rites.

[ Bob ]

- I'll be watching you -

[ Stephen ]

How close were you to dying?

Oh, very close.

I wasn't supposed to live.

The doctor told her, in so many words,

he's probably gonna die.

Boy, it sounded so bleak.

I had-

It was shocking to me that he made it back

from what he went through.

He really sounded like

he was on the verge of death.

And, you know, he has never

come back to us since then.

From that point on it was hell.

I couldn't see. I couldn't hear.

Rate this script:3.0 / 2 votes

Julius J. Epstein

Julius J. Epstein (August 22, 1909 – December 30, 2000) was an American screenwriter, who had a long career, best remembered for his screenplay – written with his twin brother, Philip, and Howard E. Koch – of the film Casablanca (1942), for which the writers won an Academy Award. It was adapted from an unpublished play, Everybody Comes to Rick's, written by Murray Bennett and Joan Alison. more…

All Julius J. Epstein scripts | Julius J. Epstein Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Young at Heart" Scripts.com. STANDS4 LLC, 2024. Web. 6 Jun 2024. <https://www.scripts.com/script/young_at_heart_23888>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Young at Heart

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.