X Page #4

Synopsis: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN.
Director(s): Matthew Vaughn
Production: 20th Century Fox
  20 wins & 38 nominations.
 
IMDB:
7.8
Metacritic:
65
Rotten Tomatoes:
86%
PG-13
Year:
2011
131 min
$145,300,000
Website
4,707 Views


It's natural they're gonna

be hiding something.

With a bloke,

it's all just there, isn't it?

What you see is what you get.

But women are f***in' liars.

I f***in' hate women.

Start looking.

Where's Rose?

Don't know.

Who are you?

I heard you from next door.

Have you got anything?

No.

Got a smoke?

Sorry.

F***.

What time is it?

It's late.

Where the f*** is she?

I'll get you some water.

Okay?

Sweet.

Here I am, baby.

Who the f*** are you?

She's the girl from next door.

Well, she can f*** off,

because we're f***in' busy.

I was just seeing

if your friend was all right.

He's not my friend.

Hurry.

Come on.

Hurry up.

Come on. Come on.

Come on!

Half.

Half.

Half!

F***.

F***, f***.

The back of your hand.

Shut up, b*tch!

Shut up.

F***!

Ooh.

You got any money?

No.

Bullshit.

Cutie like you.

Come on.

Give us some money.

I don't have any.

F*** you.

Hey, open the f***ing door.

Come on, sweetheart.

Open the f***ing door.

The welcome wagon.

C*nts.

That's the way it is.

They f***ed me.

Now it's your turn.

I could tell 'em you're here.

They'd pay me for it.

Thanks.

Get f***ed.

Hey.

Pink lipstick.

Run!

Gotcha.

Get in!

Are you all right?

What did he do to you?

Police radio.

What?

He's a cop.

F***.

You should go home.

I can't.

Somewhere else, then.

There's nowhere else.

I could stay with you.

I'm going to the airport

to get on a plane out of here.

That guy'll come after me.

I offered you a job.

No one forced you.

You don't give a sh*t.

I just saved you.

I don't owe you anything.

You can have the car.

I can't drive.

Get out.

Get out!

Get out!

Hey.

F*** off!

It's Shay.

Fully didn't recognize you.

Where you going?

Nowhere.

Can I come?

I saw a guy get killed.

You okay?

I think someone's after me.

Who's lookin' out for you?

Rocky will help.

He looks after me.

He'll love you.

Yeah.

I'll go get him.

Lend me some ciggie money?

I'll pay you back.

You're a real friend.

Don't move.

Get in.

I'm waiting for someone.

Shay, get in.

I met my first trick

on this street.

I was so scared.

This big old man.

I thought he was gonna

have a heart attack on me.

I promised myself,

before I turned 30, I'd quit,

move to Paris,

reinvent myself.

It's my birthday today.

I've been f***ing for money

since I was 15.

I want a new life.

There's this guy.

He doesn't know

that I'm leaving,

and I don't want him to.

He can help us.

Who is he?

He's a cop.

Don't worry, ladies.

Safe as houses here.

Take a load off.

This is Bob's place.

No secrets between him and me.

Except where the bodies

are buried.

Good one.

- Who's this?

- Shay.

We were on the job together.

Rate this script:5.0 / 1 vote

Ashley Miller

Ashley Edward Miller (born March 16, 1971 in Windber, Pennsylvania) is an American screenwriter and producer best known for his work on the television series Andromeda, Terminator: The Sarah Connor Chronicles and Fringe. He also worked on the films Thor and X-Men: First Class. He often collaborates with fellow screenwriter Zack Stentz. more…

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Submitted on August 05, 2018

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