X: The Man with the X-Ray Eyes Page #4

Synopsis: Dr. James Xavier is a world renowned scientist experimenting with human eyesight. He devises a drug, that when applied to the eyes, enables the user to see beyond the normal realm of our sight (ultraviolet rays etc.) it also gives the user the power to see through objects. Xavier tests this drug on himself, when his funding is cut off. As he continues to test the drug on himself, Xavier begins to see, not only through walls and clothes, but through the very fabric of reality!
Director(s): Roger Corman
Production: Orion Home Video
  2 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
88%
NOT RATED
Year:
1963
79 min
248 Views


A surprise for you.

Bo, not another one.

My life's too full of them.

Come along.

Where are you dragging me?

I have young friends who have a cure.

For what disease?

Intense doctors.

Dr. Holmes...

About 10 ccs, Doctor.

- Exactly.

- Beautiful. Beautiful.

Be my guest.

Here you are, perfect martinis.

- Thank you.

- Thank you.

Ethyl or gin?

Well, in deference to your high standings,

Doctors, gin.

I think I got formaldehyde.

- It's been nice talking to you.

- It's all right, I love it.

Well, are you enjoying yourself?

Well, who couldn't around you?

My, you're almost romantic.

Well, it's just a passing symptom.

I don't think

I want you cured after all.

My dance, Doctor.

As one of your ex-students,

I have rights.

- That'll be all right.

- Excuse us.

Hi.

Hi, I said.

Hi.

I saw you clear across from over there.

Gee, you've got sharp eyes.

When I use them.

I want you to dance with me.

I like the way you look, kind of urgent.

I like men who look urgent.

- I'll remember that.

- Come on.

Headache?

Headache?

No, it's just my eyes.

You like the way I dance?

It's fine. It's just fine.

Jim? My turn, now.

- Did you find that fun?

- Yes. Yes.

- You know, you're quite lovely.

- Thank you.

Matter of fact, you're very attractive.

Well, one drink certainly

makes you a different man.

Well, you could say I'm really

seeing you for the first time.

And that's

the most interesting birthmark you have

above the third rib on your left side.

But how do you know that?

Why, you can see me.

And your backbone's a sheer delight.

But remember, I am a doctor.

Well, you remember that I'm a woman.

I can hardly forget it.

Come on, I'm getting you out of here.

Good morning, Doctor.

Good morning, nurse.

Good morning, James.

Good morning, Doctor.

Are you all right?

Yes. Perfectly all right.

Why do you want me here?

I don't know. I think I'm afraid.

Diane, what do you know?

Only that he's been using

the drug again.

Ready.

Doctor, you must reconsider

the procedure.

Scalpel.

Let go of my hand.

Doctor, I shall perform this operation.

James, have you gone out of your mind?

No, but I want this girl to live.

Second blade. I'm going to continue.

It seems, Doctor,

you are now unable to continue.

James, you've gone mad.

No.

I know exactly what I'm doing.

More exactly than

any other doctor's ever known before.

You think I'm mad?

Well, watch. All of you, just watch.

You know of my experiments.

Dr. Benson knows.

What I'm doing is a direct result

of those experiments.

I can see the heart and the lungs

and the internal structures quite clearly.

Doctor, we could stop him.

No.

Swab.

All right.

You see, Dr. Benson, no stenosis.

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Robert Dillon

Robert Dillon is a screenwriter and film producer. In 1976 he was nominated by the Writers Guild of America for Best Drama Written Directly for the Screen for French Connection II. In 2001 he was nominated for an Independent Spirit Award for Best Screenplay for Waking the Dead. Beginning his career in 1959, he has nearly fifty years of experience. more…

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Submitted on August 05, 2018

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