Written on the Body of Night Page #5

Synopsis: A look back at a director's life with his neurotic mother.
Production: Videocine S.A. de C.V.
  3 wins & 3 nominations.
 
IMDB:
6.4
Year:
2001
128 min
34 Views


Well, quite frankly,|our only agenda...

was to dump this problem|in the Vatican's lap.

We've done that, so now|I'm just here to assist.

All right.

Dr. Golban's preliminary report...

the one I saw in Rome...

has that been published yet?

No. Probably later this week.

Stop it.

Stop the publication.

And if you don't have|the authority to stop it...

you tell me who does.

I have the authority.|I have the authority for that.

And much more.

I'm sure you do.

-Morning.|-I brought you one of these.

Wasn't sure if caffeine's a sin|on a Tuesday morning.

As long as there is no more|than three lumps, I am safe.

Thanks.

I hope you don't mind,|but I thought it best to...

postpone publishing your report|in the archaeological journals.

-You did what?|-I saw Moshe Cohen this morning...

and he agreed that--

You had a meeting with Cohen without me|and decided to censor my report?

Yes. I suggested it.

Could you forget|your ego for a while?

You think I filed those reports for|the thousands who fock to news stands...

to read the latest edition|of the Archaeological Review?

What if I woke up and decided it's not|a good idea for you to say Mass today?

-I stop you.|-Listen to me.

Making your speculations public--|and that's all you have, speculations--

is not gonna help the investigation.

My saying Mass harms no one.

-Maybe it does.|-Really?

Maybe it threatens me in the same way|this archaeological find...

is threatening your religion.

I am not threatened. I am just concerned|about knee-jerk reactions.

-And I think you should be too.|-It's your reaction.

It's the Vatican meddling in places...

where religion has no place|that's concerning me.

Bullshit.

This is more about religion|than anything else and you know it.

Especially here in Jerusalem.

You're suggesting we throw science,|religion and politics into a mess.

A mess of unpredictable consequences.

I don't like to work like that.

Bullshit is the language|of the new Ecumenical Church, is it?

The coffee's great.|Are you enjoying the show?

It's just your subtle style of|Jesuitical debate. It's very impressive.

Have fun.

You're taking this personally.

You're bloody right|I'm taking it personally.

I should have called you.

I apologize for that.

I don't apologize|for delaying the publication.

All you had to do was ask.

Would you have agreed?

Now we'll never know,|will we?

We're taking a break.|They're inside.

What is next?

Well, I have to dust off|every single one of these bones...

polyvinyl them|and then we can move them.

All right.

There is a body in the tomb,|and old bones.

The man is a Catholic priest|from America.

No, not the same one|that was here before.

I will, as soon as I know|something new.

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Emilio Carballido

Emilio Carballido (Córdoba, Veracruz, 22 May 1925 – Xalapa, Veracruz, 11 February 2008) was a Mexican writer who earned particular renown as a playwright. Carballido belonged to the group of writers known as the Generación de los 50, alongside such figures as Sergio Magaña, Luisa Josefina Hernández, Rosario Castellanos, Jaime Sabines, and Sergio Galindo. He studied English literature and earned a master's degree in literature from the National Autonomous University of Mexico (UNAM). As a playwright his first work was Rosalba y los Llaveros, which premiered at Palacio de Bellas Artes in 1950, directed by well-known poet and stage director Salvador Novo. This was followed by a huge number of plays, including Un pequeño día de ira (1961), which earned him the Casa de las Américas Prize, ¡Silencio Pollos pelones, ya les van a echar su maíz! (1963), Te juro Juana que tengo ganas (1965), Yo también hablo de la rosa (1965), Acapulco los lunes (1969), Las cartas de Mozart (1974), and the box office hit Rosa de dos aromas(1986). Some of his works as a playwright were filmed for the screen, such as Rosalba y los llaveros (1954), Felicidad (1956), La danza que sueña la tortuga (1975), El censo (1977), Orinoco (1984), and Rosa de dos aromas (1989). In addition to more than a hundred plays and scripts, he also wrote two volumes of short stories and nine novels, and worked randomly as a stage director. His career in the Mexican film industry began with the script for La torre de marfil, written in collaboration with Luisa Josefina Hernández in 1957. In 1972 he received two Ariels for the storyline and script of Alfonso Arau's El Águila Descalza. On 27 May 2002 he was given the Ariel de Oro for his lifetime achievements which include more than 50 films, remarkably his collaboration in Luis Buñuel's Nazarín (1959). On 16 March 2007, Carballido and his partner of 20 years, Héctor Herrera, were among the first couples to apply for a civil union following the enactment of the Federal District's 2006 Ley de Sociedad de Convivencia. Carbadillo died of a heart attack on 11 February 2008 in Xalapa. Two days later, Governor of Veracruz Fidel Herrera Beltrán ordered a day of mourning in the state and announced that the Theatre of the State and one of the state literary prizes would be renamed after him. more…

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